“ERNIE KOVACS: THE ABC SPECIALS”

Shout! Factory brings us more proof of Ernie Kovacs’ genius with these specials that aired in 196. The humor is experimental, surreal and deliciously absurd, ranging from the more mundane, like a spoof of commercials, to the wildly imaginative, like eyebrow-plucking set to music. Music is a big element of the specials, as everyday objects dance in time to perky tunes. Brilliant blackouts boggle the mind. While borrowing from vaudeville and silent movies, Kovacs is definitely avant garde, utilizing innovative camera angles and effects. As a director, he could make video look like 20s’ German expressionistic film. He also wrote and produced the series. One episode is entirely without dialogue, including some very funny Dutch Masters cigar commercials. The creativity extends even into the credits. Cast members Maggi Brown and Jolene Brand contribute not only glamour, but deft comic touches and timing. The last episode here was broadcast posthumously, following his fatal car crash at age 42. He didn’t shy away from a low-brow comedy bit here and there. But far more often, Kovacs’ humorous creations reach the level of high art. The bonus feature here is a batch of Kovacs’ cigar commercials. These ads are funnier than most of the comedy shows you’ll find on the air these days.

“STRANGE FRUIT: THE BEATLES’ APPLE RECORDS”

This documentary offers fascinating details into the rise and fall of Apple Corps Ltd. The Beatles’ company began as a dream and gradually descended into a bit of a financial nightmare. But a lot of great music was generated and introduced in the artists-for-artists atmosphere. Perhaps this creative utopia simply couldn’t survive in the cold, real world. The venture was certainly hampered by the disintegrating personal relationships among The Beatles themselves. It’s interesting to learn which projects the individual Beatles were most passionate about. The music included not only pop and rock, but jazz, classical, folk and more. It would have been helpful to have had insights from key Apple figures like Peter Asher, but we do get interesting interviews with Jackie Lomax, as well as members of Badfinger and Elephants Memory. On the bonus features, you’ll find a fun interview with Stephen Friedland, aka Brute Force, who recorded the unairable Apple single “The King of Fuh.”

“MYSTERY SCIENCE THEATER 3000 XXIII”

If you were wondering if there were still MST 3000 eps worth releasing, the answer is a resounding YES! The four discs here give you tons of laughs and plenty of variety, spanning western, horror flick, sci-fi and spy genres. Half Joel, half Mike, all funny. You and your pals can debate who’s the more giggle-worthy host, Hodgson or Nelson. “Castle of Fu Manchu” must be the most embarrassing credit on the resumes of both Christopher Lee (which is saying a lot) and Richard Greene (‘50s TV’s Robin Hood). And the Bots give Three Stooge fans a rare Joe Besser impression. After viewing the romance in “Last of the Wild Horses,” you might pick up “Touch my gingham,” as a catch phrase. “Code Name: Diamond Head” is almost a half-decent film, a failed Quinn Martin series pilot about a counter intelligence agency. Based in Hawaii, it stars Roy Thinnes (“Invaders”) and Ian McShane (“Deadwood”). Eric Braden (Victor Newman in “The Young and the Restless”) and Zulu (“Hawaii Five-0”) pop up. The movie itself is so plodding, the excitement level rises when, back on the Satellite of Love, Mike and the Bots search for the source of a mystery odor. Usually, the worse the movie, the better the wisecracks. So “King Dinosaur” is totally hilarious. It’s a Robert L. Lippert production, meaning it’s one cut above Ed Wood. One of the bonuses is a very interesting new documentary about Lippert. Two eps put Joey the Lemur in the spotlight. A puppet for the robots to mock! MiSTies will relish another of the bonus features, “Life After MST3K: Kevin Murphy.” Another extra provides vintage Comedy Central promos for the series. And there are some classic vintage short subjects, in addition to the four feature films. The package also includes four mini-posters. What more could you ask?!

“THE SCARLET WORM”

Everything can be considered an art form, even murder. An early 20th century gunman (well played by Aaron Stielstra, who also contributed an effective musical score) thinks of himself as a genius in that particular medium. And in a dusty wasteland, he’s hankering to create his masterpiece. He believes himself to be a religious man, despite the ungodly horrors he perpetrates. With a contemporary edge and relevance, the film explores the moral ambiguity of prostitution and abortion. There’s a lyrical quality to the violence depicted. Directed by Michael Fredianelli, with cinematography by Michael A. Martinez, this is perhaps the most visually arresting, thought-provoking western since Peter Fonda’s “The Hired Hand.” Made on a near-zero budget, by a band of passionate cult film enthusiasts, “The Scarlet Worm” is well worth viewing.

“LEGENDS OF FOLK: THE VILLAGE SCENE”

This moving documentary captures the folk era and its uplifting spirit, beginning with the earnest early ‘60s, the invigorating, heartfelt music that helped fuel the civil rights and peace movements. It travels through the early ‘70s, when slicker singer-songwriters like Neil Diamond gained prominence. Other performers include Phil Ochs, Tim Hardin, Judy Collins, Bob Dylan, Peter Paul & Mary, Joan Baez, Richie Havens, Lovin’ Spoonful and Simon & Garfunkel. Adding personal insights are such key figures as Peter Yarrow, Maria Muldaur, Michelle Phillips, Tom Paxton, Don McLean and John Sebastian. Even if you caught the PBS version, you’ll want to see the DVD’s additional songs and interview footage.

“AMERICAN REEL”

There’s one reason to watch this movie - David Carradine. He plays James Lee Springer, a teacher who’s never quite been able to fulfill his country-folk, singer-songwriter dreams. Middle-aged, he unexpectedly gets one last shot at fame. The question becomes, how many compromises can the idealist make without completely losing himself? His well-meaning, but success-hungry manager (Michael Maloney) leads him into the hypocritical music industry world, where image outweighs talent. And Springer’s music is all about authenticity. Carradine convincingly sings his own Kristofferson-esque songs. Those numbers and the bonus interview with the late actor are definitely this release’s highlights. Mariel Hemingway is appealing as Springer’s worldly, lesbian assistant.

BRAD BROOKS - “HARMONY OF PASSING LIGHT”

Prepare to be dazzled. Brooks’ brand of power pop deserves widespread attention and acclaim. He’s wondrously winning and versatile, both as a songwriter and as a vocalist. Backed by terrific musicians, he delivers 11 tunes that grab the listener right from the intro and become more deeply ingrained with each listening. He opens with the soulfully celebratory “Calling Everyone,” merging the energies of Big Star and Van Morrison. “Spinner & The Spun” is a mover you’ll want to keep spinning. “Will It Be Enough” has the kind of aching country-rock magic that Foster & Lloyd used to conjure, with a bit of a Gram Parsons’ lilt. “Night Fades” is the kind of lushly lovely composition and production Jeff Lynne used to do so well. “Farewell to Folderol” is another beauty, and one of the all-time great song titles. Throughout, Brooks summons Beatles vibes, building on McCartney’s rocking hooks, Harrison’s fluid guitar lines and Lennon’s psychedelic flourishes. There are suggestions of Nilsson, as well. The final number, “Grand Manner,” lowers the curtain in gorgeous style. Brooks is an exceptionally literate songwriter, fashioning highly sophisticated pop. You won’t find a weak track here - each is an expertly crafted work. Despite all the classic rock influences, Brooks’ music takes many surprising turns, making it his and his alone. It’s unfathomable why he remains a cult figure while far lesser talents squander the spotlight. Do yourself a favor and discover this amazing album.

“THE ESSENTIAL DONOVAN”

The new Rock and Roll Hall of Fame inductee gets the double-disc treatment from Sony Legacy. Spanning the years 1965-73, the 36 tracks include not only the enduring hits, ("Sunshine Superman," “Hurdy Gurdy Man,” "Mellow Yellow," ”Jennifer Juniper,” "Season Of The Witch," "Catch The Wind," "Wear Your Love Like Heaven," "Atlantis"), but also lesser known tunes, such as “Turquoise” and “Get Thy Bearings.” The set features four of the singer-songwriter’s tracks previously unreleased in the U.S. This version of “The Land of Doesn’t Have To Be” offers differences in lyrics, tone and rhythm. Live cuts make intriguing additions. The gentle, mystical troubadour was a highly influential artist, from his Dylanesque folk beginnings through his psychedelic explorations. It’s time for a new generation to appreciate his work.

EMILY WELLS - “MAMA”

This unique and eclectic New York-based artist blends styles ranging from folk to classical to hip-hop. The singer/songwriter/multi-instrumentalist creates understated, evocative, provocative soundscapes. This atmospheric, effects-laden album is Americana on hallucinogens, both unnerving and entrancing. You won’t be able to categorize this album. Nor will you be able to stop listening... over and over again.

AMY DALLEY - “COMING OUT OF THE PAIN”

Many listeners will relate to the theme of finding new strength, coming out of heartbreak. It’s engaging country-rock from the rousing opening number, the defiant “Peace Sign” (as in “I’m waving goodbye with just one finger short of a peace sign.”). Though Dalley didn’t have great chart success while on the Curb label, this new album, on her own Madjack Records (distributed by Rock Ridge Music) displays tons of mainstream and crossover potential. She’s a very commercial songwriter with an ability to deliver heartfelt, grabbing vocals.

DUKE ROBILLARD JAZZ TRIO - “WOBBLE WALKIN’”

Guitar great Robillard, joined by bassist Brad Hallen and drummer Mark Teixeria, adeptly explores the nuances of classics by such composers as George Gershwin, Cole Porter and Mercer Ellington. Robillard’s own “Sunday Morning,” holds its own in such distinguished company. Robillard’s fluent, graceful playing subtly blends jazz, blues and pop sensibilities. A pleasing album.

FARMER JASON - “NATURE JAMS”

A fun and informative CD/DVD package that’s perfect for the kids in your life. The wee ones will be transformed into mini-environmentalists. The parent-friendly music comes from rock, country, old-timey and even Cajun influences. There’s a bit of a They might Be Giants vibe to songs like “Prairie Riddles.” Other catchy ditties include “Dison The Bison,” “Manatee” and “Take A Hike.” The Farmer (Jason Ringenberg) knows how to cook, musically, as he’s also the frontman of Jason and the Scorchers. Many great musical talents participated on this record, including Mike Mills (REM), The Saw Doctors, Suzy Bogguss, Iris Dement, Tom Petersson (Cheap Trick), Brandi Carlile, Hank Williams III, Tommy Ramone, Victor Wooten and Todd Snider. This album will make the kiddies eager to tear themselves away from the home entertainment system so they can explore the Great Outdoors.

BRIA SKONBERG - “SO THIS IS THE DAY”

Skonberg is equally impressive as a brilliant composer, softly seductive vocalist and extremely expressive trumpeter. The Canadian bandleader, fronting an all-star ensemble, utilizes the best of modern and traditional jazz. In addition to the terrific originals, there’s a killer, swinging rendition of Joni Mitchell’s Big Yellow Taxi.” Even if you’re not a jazz buff, Skonberg will win you over.

“DEAD SARA”

Dead Sara serves up searing indie-rock. They’re fronted by two extraordinary talents, vocalist/rhythm guitarist Emily Armstrong and lead guitarist Siouxsie Medley. Armstrong’s plaintive, fierce voice is incredibly penetrating and Medley’s riffs pack quite a punch. All 11 numbers here are potent. “We Are What You Say” is one of the catchiest. “Lemon Scent” is another high point, as Armstrong and Medley play off one another like a distaff Plant and Page. The band can skillfully navigate from quieter, more melodic moments to all-out assaults of heaviosity. It’s alive!

ANNE SAJDERA - “AZUL”

The San Francisco composer/pianist presents a perfectly pleasurable package of originals and Brazilian classics. There’s a wonderful warmth to her touch, as well as a highly sophisticated sense of rhythm. Top talent surrounds her, including percussionist Aiorto Moreira. A splendid debut for Sajdera.

EMILY HURD - ‘LONG LOST GHOSTS”

Hurd’s magnificently melodic album will haunt you long after its last notes fade into the distance. The Chicago-based singer-songwriter’s beautiful voice and vivid lyrics are deeply moving, complemented by sublime piano lines. She takes an Americana foundation and builds to tremendous heights. “Skipping Stones” is an exhilarating, instant pop classic. “Easy Call,” the hopeful album’s final number, reaches a zenith of romance. The listener will be uplifted after experiencing her stories. Hurd simply must be heard!

TWIN ATLANTIC - “FREE”

The Glasgow alt quartet returns with a powerhouse follow-up to 2009’s “Vivarium.” Although they veer towards blistering rock, they can effectively create a more winsome, poppier tune, as well. With passionate lead vocals, sizzling lead guitar and power-packed rhythm section, the band should continue to build an enthusiastic following on this side of the Atlantic.

CURTIS STIGERS - “LET’S GO OUT TONIGHT”

The vocalist/saxophonist has shown over the years that he’s equally adept at jazz and rock. This latest album takes him into new territory - relatively obscure covers - and he seems right at home. Selections include Bob Dylan’s “Things Have Changed” (from the film “Wonder Boys”), The Blue Nile’s “Let’s Go Out Tonight,” the Eddie Floyd tune “Oh How It Rained,” Neil Finn’s “Into Temptation” and “You Are Not Alone,” which was written by Wilco’s Jeff Tweedy for Mavis Staples. David Poe adds harmony on his own “Everyone Loves Lovers.” With his quietly intense, slightly raspy voice, Stigers can really capture a mood. A perfect record for the wee small hours.

RAMON AND JESSICA - “FLY SOUTH”

Disarming sunshine pop-folk from the San Francisco-based duo (violinist Dina Maccabee and multi-instrumentalist Jesse Olsen). Produced with a welcome combination of simplicity and ingenuity, the album brims with off-beat charm. Instrumentation includes ukulele, toy piano, accordion, Casio, flugelhorn and shakers, as well as guitars and strings. The unassuming boy-girl vocal duets consistently delight. This is a flight well worth taking.

RANDY HOEXTER GROUP - “FROMAGE”

Here we have an homage to fromage, cheese. Cheese, that is, as in the cheesy pop hits of the ‘60s and ‘70s. Atlanta-based jazz pianist/composer Hoexter, through his imaginative arrangements, reinvents such diverse chart sensations as “Gypsys, Tramps & Thieves,” “You Light Up My Life,” “Delta Dawn,” “Muskrat Love,” “Escape (The Pina Colada Song),” “Seasons in the Sun” and “Yummy, Yummy, Yummy.” It all flows together, thanks to Hoexter’s clear musical vision. “Yummy” becomes a breezily wistful bossa nova. Rhythmic complexities add dimension to “You Light Up My Life.” You’ll have fun experiencing these overly familiar songs in brand new, totally unfamiliar contexts.

RAVI SHANKAR - “THE LIVING ROOM SESSIONS PART 1”

Last year, at age 91,Shankar recorded these tracks informally in his Encinitas, California home, accompanied by his longtime tabla player, Tanmoy Bose. Obviously, music does have the power to bestow eternal youth on its participants, as a wondrous energy is present here. The tracks encompass a number of classical Indian styles, as well as numerous moods, from tranquil to exuberant. There’s a mesmerizing quality to these ragas. Lose yourself in these transcendent sounds.

LOOP 2.4.3 - “AMERICAN DREAMLAND”

The third full-length album from percussionist Thomas Kozumplik and multi-instrumentalist Lorne Watson. These fascinating compositions draw from a wide spectrum of musical styles and forms. The New York duo uses improv, as well as written material, to explore the American landscape, technology, love and the human psyche. Guests include Shara Worden of My Brightest Diamond. The album is available on 180 gram audiophile vinyl, as well as CD and as digital downloads.

PAUL WELLER - “SONIK KICKS”

Weller has been an influential figure on the scene for 35 years, beginning with The Jam, moving into The Style Council and then with his successful solo career. He’s still making music that’s fresh and exciting. With “Sonik Kicks,” Weller leaps boldly from style to style. From rootsy rock to avant garde, space age soundscapes, it’s all held together by his vocal intensity. Weller’s wife Hannah joins him to duet on the dreamy “Study in Blue” and his daughter Leah and youngest son Mac are part of “Be Happy Children.” Prominent Weller fans Graham Coxon and Noel Gallagher are on board as musical guests. Sean O’Hagan of High Llamas expertly handled the string arrangements.

ANDREW SWIFT - “SWIFT KICK”

An Australian-born, New York-based drummer/composer, Swift has assembled a top-notch ensemble to create jazz that’s both brainy and full of bravado. It shows respect for the genre’s traditions, but isn’t afraid to walk the cutting edge. In addition to Swift’s amazing rhythm skills, the band benefits from fabulous work from bassist John Lee and bari saxophonist Matt Garrison, among many others. In addition to fine compositions by various band members, the album includes a stirring interpretation of Bacharach-David’s “Alfie.”

CATHY SEGAL-GARCIA & YOONSEUNG CHO - “BOHEMIAN”

L.A. vocalist Segal-Garcia and Korean jazz pianist Yoonseung Cho demonstrate a marvelous musical chemistry. Segal-Garcia penned the title song, describing first meeting her husband Gary. Another of her originals, “One Minute,” is especially poignant. Segal-Garcia wrote touching lyrics to Pat Metheny’s tune “Her Family.” She has fun with Bob Moses’ “Embraceable Jew.” She and Cho also offer a rendition of Sting’s delicate “Fragile.” There’s a very intimate feel to the alternative jazz of this album.

AMANDA RUZZA - “THIS IS WHAT HAPPENED”

She has played on sessions with such luminaries as Bebel Gilberto, but this marks Ruzza’s solo debut. This outstanding electric bassist/composer is a native of Sao Paulo and she finds some tasty Afro-Brazilian grooves. She seasons the jazz with liberal amounts of funk. A Berklee School of Music grad, Ruzza wrote five of the pieces on the album and arranged the other two. The first-rate band complements her playing and the results are rousing. Ruzza is destined for stardom.

TOMMY BOLIN AND FRIENDS - “GREAT GYPSY SOUL”

A powerful tribute to late, great guitar god Tommy Bolin (James Gang, Deep Purple). The album takes outtakes from blues-rocker Bolin’s “Teaser” solo record and overdubs scintillating new tracks by such Bolin aficionados as Joe Bonamassa, Steve Morse, Derek Trucks, Peter Frampton, Sonny Landreth, Steve Lukather and Warren Haynes (who co-produced). Glenn Hughes (a Bolin Deep Purple bandmate) contributes earthy vocals. A deluxe version offers a second disc. The release is a rollicking celebration.

ALYSSA GRAHAM - “LOCK, STOCK & SOUL”

Warm, subtle and honest, Graham’s music will gently wash over you, leaving you sighing in pleasure. It’s folk-pop with a bit of a jazz sensibility, part Phoebe Snow, part Joni Mitchell. Additional pastel colors of Brazilian, soft rock and R&B enhance her canvas. On Graham’s latest album, the singer-songwriter offers a dozen elegantly polished gems. Set aside some quiet time to fully savor this lovely, soothingly sensuous album.

ERIC HUTCHINSON - “MOVING UP, LIVING DOWN”

With this album, Hutchinson seamlessly makes his transition to major label status (WB). It’s alluring, soulful, toe-tapping pop. The record opens with the bouncy reggae feel of “Talk Is Cheap,” followed by the positive reminder, “Best Days.” He really shakes it up on the kinetic “The Basement.” “Living in the Afterlife” offers timely commentary on our high tech age. Even more wistful numbers like “Watching You Watch Him” have an upbeat spirit. With his amiable voice, well-crafted songs and air of sincerity, Hutchinson can’t help but charm listeners.

BEN KWELLER - “GO FLY A KITE”

Kweller returns with an endlessly endearing set of power pop tunes, gliding away, for the most part, from the country/folk flavors of his previous “Changing Horses” album. The new effort is as fun and freeing as a spring afternoon of kite-flying. Though Kweller doesn’t shy away from serious themes, he exudes a positive energy with his strong melodies, infectious hooks and sweet harmonies. There’s definitely a Beatle-ish vibe. You’ll also hear traces of Tom Petty. Top tracks include “Jealous Girl,” “Gossip” and “Time Will Save The Day,” which prove that Kweller is still at the peak of his songwriting powers. “Kite” soars.

LOST BAYOU RAMBLERS - “MAMMOTH WALTZ”

The Ramblers serve up a red-hot gumbo that gives Cajun music a very cool, modern edge. Their music is fiery, energetic, often frenetic and always hard to resist. Incinerating genre boundaries, the band is as distinctive on obscure vintage tunes as they are on their own powerful originals. With rollicking accordions and fiddles and passionate vocals sung in French, the music proves to be riveting. Scarlett Johansson sings on “Coteau Guidry Reprise.” Dr. John is also among the special guests. This album is both rootsy and rebellious. It’s not difficult to imagine Lost Bayou Ramblers appealing to fans of Mumford and Sons.

LARKIN McLEAN - “IF YOU’RE A WILD GIRL SAY AYE”

This album is clever and captivating. McLean proves herself to be saucy, sassy and swingin’. She enchants nicely via her naughtiness. McLean is a smart songwriter and a vivacious vocalist. The material is both nostalgic and very hip. Musically, it finds sparks in late ‘50s, early ‘60s lounge, jazz, jump and swing. You can get a glimmer of the fun just from the song titles, such as “My Bottom’s Gonna Get Me To The Top,” “Pasties and a G-String,” “Skinny Dipping Party” and “I’m in a Cult, You’re in a Cult.” It’s time to join the Larkin McLean cult!

"PRINCESS NOIRE: THE TUMULTUOUS REIGN OF NINA SIMONE"
BY NADINE COHODAS (UNC Press)

Cohodas, an award-winning author, who previously wrote books on Dinah Washington and Chess Records, has penned a wonderful biography of the great Nina Simone. Incredibly well researched, “Princess Noire” gives us a remarkably detailed account of the singer/songwriter/pianist/activist’s extraordinary life. Simone was born an artist, but struggled to accept the role of performer. She crossed myriad boundaries, delving into many musical genres. Simone achieved greatness, making her mark on society not only through her music, but also in the civil rights movement. Cohodas chronicles Simone’s politics and performances, as well as the emotional and mental fragility that plagued her. Despite fame and acclaim, Simone endured financial troubles and painful personal relationships. She was a complex, enigmatic woman, but this new book gives us a far greater understanding of her mind, her soul and her talent.