DEJA RE-VU
Pop Culture Classics’ Recommended CDs, DVDs and Books
By Paul Freeman


DVDs

“RUMBLE: THE INDIANS WHO ROCKED THE WORLD”
Link Wray’s powerfully penetrating, endlessly exciting 1958 hit instrumental “Rumble” inspired and influenced generations of rock guitarists. He was of Shawnee descent. But when it comes to influential indigenous artists, Wray was far from alone. This compelling documentary, written and directed by Catherine Bainbridge and Alfonso Maiorana, explores the role those with Native American heritage played in pop music history, including Wray, Charley Patton, Mildred Bailey, Jesse Ed Davis, Buffy Sainte-Marie, heavy metal drummer Randy Castillo and Robbie Robertson. There are many insightful interviews, including Steven Van Zandt, Taj Mahal, Buddy Guy, Tony Bennett, Quincy Jones, Martin Scorsese, John Trudell, Steven Tyler, Alvin Youngblood Hart, Iggy Pop, George Clinton, Jackson Browne, Slash, Rhiannon Giddens and members of MC5, Black Keys, Metallica and Foo Fighters. The film illuminates what American Indian musical artists have contributed and what they had to go through to make themselves heard. Kino Lorber has made the award-winning documentary available on DVD with 5.1 surround sound.

“MAIGRET SETS A TRAP”
Skillfully directed by Jean Delannoy and featuring a superb performance by Jean Gabin as an exceptionally perceptive, pipe-smoking police inspector, this 1958 French film definitely deserves to be called a noir classic. In this suspenseful, thoroughly engrossing mystery tale, the character, Jules Maigret, originally created by novelist Georges Simenon, is hunting for a serial killer. But this film doesn’t settle for sensationalism, opting for subtle tension and psychological intricacies. Gabin beautifully underplays the conscientious Maigret, making the character’s world weariness achingly evident. He plays it quietly, so when he erupts, in the passion of pursuing his prey, it’s that much more effective. The score by Paul Misraki adds to the film’s marvelous moodiness. So does the artful black-and-white cinematography by Louis Page, which is stunning in the new restoration Kino Classics completed for its Blu-ray release. Kino has also issued the 1959 sequel “Maigret and the St. Fiacre Case,” in which Maigret returns to his childhood hometown to investigate death threats. Gabin and Delannoy again create gripping fun.

“LA CHINOISE”
Jean-Luc Godard’s striking visuals leap out in Kino Lorber’s new Blu-ray release of his 1967 film. The French New Wave filmmaker’s vision examines, with a 60s pop-art flair, the Maoist, revolutionary fervor of a group of university students. They theatrically spout slogans and philosophies, flirting with notions of terrorism. Beneath their idealism, they desperately want to break from parental structure and middle-class, suburban mundanity. The film displays Godard’s prescience, given that the “Children’s Crusades” caused turmoil in Paris the following year. The cast in engaging, particularly Anne Wiazemsky, whom Godard married in ‘67. Kino’s new edition of “La Chinoise” offers many enlightening bonus features such as interviews, an audio commentary track by film historian James Quandt and a booklet with essays by Richard Hell and critic Amy Taubin. Kino Classics has also released another visually stunning, thought-provoking Godard classic, “Le Gai Savoir.”

“HUMANS 2.0”
Series 2 of this intriguing science-fiction series, examining the cultural impact of artificial intelligence and robots, is now available on Blu-ray from Acorn Media. The action begins months after the first series ended. Laura and Joe Hawkins, portrayed perfectly by Katherine Parkinson (“The IT Crowd”) and Tom Goodman-Hill (“Mr. Selfridge”), are attempting to return to a normal life. Marriage counseling is one step towards that end. But they still must find a way to deal with the unsettling behavior of their teen daughter, played by Pixie Davies (“Miss Peregrine’s Home for Peculiar Children”). The family’s world is again turned upside down when sentient synth Niska shows up. Arrestingly played by Emily Berrington (“24: Live Another Day”), this character wants to use a consciousness code to bring self-awareness to all her fellow synthetic beings. She also wants to establish the rights of synths, even if means risking her freedom… or even her very existence. The rest of the excellent cast includes Gemma Chan (“Fresh Meat”), Colin Morgan (“Merlin”) and newcomer Carrie-Ann Moss (“The Matrix”). Interesting characters and relationships abound in this series. Series “2.0,” like the first season, is what we should seek in science-fiction — not only excitement, but thought-provoking drama. And like all the best sci-fi, it uses its imaginative plots to comment on our contemporary society. Video quality and DTS HD 5.1 sound are top-notch. Bonus features offer behind-the-scenes looks that fans will love.

“BESIDE BOWIE: THE MICK RONSON STORY”
Mick Ronson stands as one of rock’s most important guitarists, yet he is seldom mentioned in that context. Perhaps MVD’s new Blu-ray/DVD release of the documentary “Beside Bowie: The Mick Ronson Story” will remedy that situation. Skillfully assembled by award-winning producer/director Jon Brewer, the film document’s Ronson’s too-short life, his vital impact on David Bowie’s music and, therefore, his immense influence on generations of rock artists. His style and sound helped shape some of Bowie’s most important albums, including “The Man Who Sold The World,” “The Rise and Fall of Ziggy Stardust and the Spiders From Mars” and “Aladdin Sane.” Ronson, who was also a gifted arranger, made key contributions to the works of such greats as Lou Reed, Bob Dylan, Ian Hunter, Morrissey, John Mellancamp, Roger McGuinn, Roger Daltrey and Van Morrison. as well as Bowie. In addition, he recorded several fine solo albums. But the unassuming, supremely talented Ronson never really attained the level of success he deserved. He died of liver cancer in 1993 at age 46. The film puts the power, beauty and breadth of his music into a new perspective. There are touching remembrances and some impressive vintage TV footage. Musical peers, family and friends offer their insights into this artist. And bonus interview footage includes Angie Bowie, Rick Wakeman, Glen Matlock and Hunter.

“BANG! THE BERT BERNS STORY”
He wrote songs like “Piece of My Heart,” “Tell Him,” “A Little Bit of Soap,” “Look Away,” “Here Comes The Night,” “Everybody Needs Somebody to Love,” “Hang on Sloopy,” “Brown Eyed Girl,” “I Want Candy,” “Twist and Shout” and “Shout!” He produced such classics as “Under The Boardwalk.” But Bert Berns doesn’t often get the public recognition he deserves. Last year, he was inducted into the Rock and Roll Hall of Fame, receiving a Lifetime Achievement Award. “Bang! The Bert Berns Story,” a fascinating new documentary about the man, is now available through Apple Music and iTunes. The “white soul brother” was the son of Russian-Jewish immigrants. Berns had a damaged heart, due to a bout with rheumatic fever during his teens. With his physical activities curtailed, Berns turned his energy to music. Because of his health issues, he felt a sense of urgency. He had to accomplish great things and do it quickly. Doctors predicted his life would be short. He packed a lot of living — and creating — into the time he had. He had a darkness lurking that would stir an emotional power into his songwriting. Bringing Cuban rhythms to R&B and rock ’n’ roll music, Berns, a true innovator, had a huge effect on the 50s and 60s music scene, both in the U.S. and the U.K. He wrote and/or produced hit after hit. Artists who benefited from his genius included Solomon Burke, Garnet Mimms, Erma Franklin, The Drifters, Van Morrison (with and without Them), The Isley Brothers, The McCoys and Janis Joplin. British Invasion bands The Beatles, The Animals and The Rolling Stones covered his songs. Berns was responsible for much of Atlantic Records’ success, when the company was struggling after the exit of Ray Charles. (Atlantic partner Jerry Wexler ends up being the film’s villain.) Berns, with a blazing drive, eventually founded his own label, Bang Records. Neil Diamond established himself there. With plenty of music business people ready to rip-off associates, Berns befriended mobsters who didn’t hesitate to help protect his interests. He would let nothing stand in his way, but he was beloved by his peers. Among those interviewed for this documentary, over the course of eight years, were songwriting legends Mike Stoller, Brooks Arthur, Jerry Ragavoy, Jeff Barry and Ellie Greenwich, plus Brenda Reid of The Exciters, Betty Harris, Cissy Houston of the Sweet Inspirations, Van Morrison, Ronald Isley, Ben E. King, Keith Richards, Paul McCartney, record executives and family members, including Berns’ widow and daughter, as well as music journalist Joel Selvin, who wrote the Berns biography “Here Comes The Night.” Steven Van Zandt narrates the documentary. The film, directed by the subject’s son Brett Berns and Bob Sarles, is compelling from start to finish. Berns’ heart finally failed him in 1967. He was 38. But he leaves behind an incredible legacy. This fine film gives us a far better idea of just how much of a lasting impact he made on the music world.

“THE FALL” - THE COMPLETE COLLECTION
This BBC Two British-Irish show is one of the most intense crime dramas you’ll ever see. The riveting story of a serial killer unfolds over the course of three hard-to-watch, yet can’t-stop-watching series. Gillian Anderson (“The X-Files”) is brilliant as the DSI who relentlessly tries first to identify the perpetrator, then to track him down and finally, to make sure he never preys on innocent women again. Her complex character must battle her own demons, while she meticulously conducts her investigation. As the icy predator, Jamie Dornan (“Fifty Shades of Grey”) is frighteningly convincing. Even when he’s stoic, a grief counselor, husband and father, we can sense the dark compulsions simmering within. But ingenious and capable of charm, he can hide in plain sight for far too long. When he strikes, the moments are truly harrowing. Superbly acted and directed throughout, the show maintains tension from start to finish, with waves of suspense rising and falling in all the right places. The outstanding cast also includes Archie Panjabi (“The Good Wife”), John Lynch (“In the Name of the Father”), and Colin Morgan (“Merlin,” “Humans”). Bonuses in the new, complete, six-disc collection Blu-ray set from Acorn Media include deleted scenes and featurettes.

“VERA” - SET 7
There are many reasons to become a dedicated viewer of ITV’s popular crime drama “Vera.” But first and foremost is the marvelous performance of Brenda Blethyn (“Secrets & Lies,” “Pride and Prejudice,” “Atonement”) in the title role. Vera Stanhope is the Detective Chief Inspector of the Northumberland police department. Rumpled and waddling, suspects don’t always immediately sense Vera’s sagacity, intuitiveness and diligence. But they soon must, as she hones in on the culprits. Blethyn explores all the intricacies of this fascinating, somewhat eccentric character, created by crime writer Ann Cleeves. The no-nonsense Vera has no time for niceties as she digs into murders. Her co-workers learn to accept her often less-than-gracious behavior. She’s always on the job. And nothing is as important as solving the crimes. She does, however, make inroads into a human connection with her earnest sergeant, played engagingly by Kenny Doughty. In Series 7, Vera investigates the death of an island park ranger, a bludgeoned young man who may have drug connections, a student who falls to his death from the top of the science building, and the buried body of a young woman discovered by surveyors. Each case will keep you guessing. And, as in previous seasons, the new episodes benefit from the stunning country, coastal landscapes. The four episodes of Series 7 are spread over four discs in Acorn Media’s DVD release.

RICHARD THOMPSON - “LIVE AT ROCKPALAST”
During his stint with Fairport Convention, Richard Thompson began his reign as one of the kings of folk-rock. The singer-songwriter-guitarist displays songwriting brilliance, vocal vibrancy and guitar wizardry on “Live at Rockpalast.” Just released by MIG (Made in Germany Music), this 3-CD + 2-DVD set includes 1983 and 1984 concerts, one recorded in Hamburg, the other in Paris, for the German music TV show “Rockpalast.” Thompson performs many of his signature tunes, such as “Shoot Out The Lights,” “Hands of Kindness,” “Don’t Renege on Our Love,” “Man in Need” and “Tear-Stained Letter,” which remain among the most requested songs as he continues to pack theatres on tour, more than 30 years later. In these 80s shows, there’s a soulful fire in his singing and his guitar work brims with bite, nuance and inventiveness. Sassy saxophones, courtesy of Pete Zorn and Pete Thomas, add extra punch to several tunes. Other key contributors include Alan Dunn on accordion and Fairport Convention’s Simon Nicol on rhythm guitar. The quality is impressive, given the age of the footage, better in the Paris concert than the one in Hamburg, though the latter boasts such rousing oldies encores as an instrumental “Can’t Sit Down,” and the Jerry Lee Lewis classics “Great Balls of Fire” and “High School Hop.” The two tremendous sets included in this package are memorable and historic.

CDs

BJÖRK - “UTOPIA”
“Utopia” is Björk’s return to the light, following her brilliantly dark and disturbing “Vulnicura,” perhaps the ultimate breakup album. The new record has more of a feeling of hope, of emerging from the ashes. There’s a reawakening, a reopening, a willingness to let life enter her again. The music reflects the artist’s reverence for nature, as well as her genius for experimentation. The opener, “Arisen My Senses,” reflects gently romantic urges. Björk mesmerizes on songs like “Tabula Rasa” and “Claimstaker.” There’s a sexual energy to “Blissing Me.” “Courtship” has a touch of whimsy, as well as poignancy, as does “Features Creatures,” co-written by Sarah Hopkins. Björk’s voice remains a unique and fantastic instrument. And the inventive soundscapes here swirl around the adventurous vocals. Björk’s own airy flute sounds entwine magically with birdsong. She formed a 12-piece, Icelandic, all-female flute orchestra and they create a beyond-this-world charm on the interlude titled “Paradisia.” There’s a spiritual, healing quality to “Saint.” Five of the songs were co-written by Arca, who co-produced much of the new album. Born in Venezuela and based in London, the electronica expert injects an unnerving sense of foreboding to several of the tracks, as he did on “Vulnicura,” utilizing random beats and noise effects to jar the listener. “Utopia” has its spooky moments, but it’s far more sublime and sensual than sinister. The closing song, “Future Forever” glows with optimism and infinite possibilities. The ever-daring “Björk, in this, her ninth studio album, again takes us on an ear-expanding, mood-and-mind-altering trip. Her “Utopia” is a marvelous world we can explore endlessly, finding new treasures wherever we turn. To purchase, you can go to — https://bjork.lnk.to/utopia

“CHRISTMAS WITH ELVIS AND THE ROYAL PHILHARMONIC ORCHESTRA”
Freshen up your Elvis-sounding Christmas with these reimagined recordings, teaming the King with the Royal Philharmonic Orchestra. The opener, “Santa Claus Is Back in Town” gets a brassy, big band style arrangement. The strings are fairly subtle on the rockin’ finger-poppin’ “Here Comes Santa Claus.” The string section leaves room for bluesiness on “Merry Christmas Baby,” allowing the classically cool Elvis vocals to shine through. But “Blue Christmas” takes on a softer, pastel tone. “Silver Bells” is pretty with its new adornments. Other standards, such as “Winter Wonderland,” “I”ll Be Home for Christmas” and “White Christmas” have a warm feeling with the orchestrations. And the reverence Presley radiates remains intact on numbers like “Oh Little Town of Bethlehem,” “O Come All Ye Faithful,” “The First Noel” and “Silent Night.” It’s an ideal album for your family’s Christmas celebration.

JACKIE ALLEN - “ROSE FINGERED DAWN”
Midwestern musical artist Jackie Allen’s voice is soft, sensuous, soulful and completely captivating. Her songs are poetic, pleasing and packed with sincere emotion. Styles seamlessly span cool jazz, R&B, pop, funk and Bossa Nova. Among the highlights here are the moody “Dark Butterflies,” sultry “Sweet Dreams” and the beautiful ballad “Steal the Night.” Allen has worked wonders with this impressive material written for her by her husband, bassist/composer Hans Sturm. They’re an extraordinarily talented tandem, backed here by top-flight musicians.

CHERYL BENTYNE - “REARRANGEMENTS OF SHADOWS”
The magnificent Manhattan Transfer vocalist Cheryl Bentyne takes on the daunting task of reinterpreting the works of Stephen Sondheim… and she triumphs. Sondheim’s brilliant compositions, unlike those of many other great, more traditional Broadway songwriters, seem inexorably tied to the shows for which he created them. But each of the tracks here takes on a richly textured, meaningful life of its own, thanks to Bentyne’s gorgeous, evocative vocals. Her moving performances on songs such as “Not a Day Goes By,” “I Remember You” and “Wish I Could Forget You” will bring tears to your eyes. There’s a delicate Bossa Nova beauty to Bentyne’s refreshing version of “Send in the Clowns.” There’s an edgy excitement to “Comedy Tonight.” And “The Ladies Who Lunch” exudes sophisticated fun, as Bentyne is joined by two other vocal queens — Janis Siegel (also of Manhattan Transfer) and Tierney Sutton. As a bonus, the album includes a solo version of that number. The entire record is a tour de force for Bentyne. It will give you an even greater appreciation for both Cheryl Bentyne and Stephen Sondheim.

MISTER G - “THE MITZVAH BUS”
Award winner Mister G’s “The Mitzvah Bus” will be a fun ride for all the youngsters in your life. The 14 original songs are sung in English, Hebrew, Yiddish and Spanish. The sounds blend rock, pop, hip hop, funk and world music. Smooth harmonies, rhythmic energy and clever lyrics on songs like “Latkes for Breakfast” and “Matzah on My Mind” add to the fun. Catchy tunes include “Purim Party Song,” “Challah-lalala,” “Hanukkah,” the lovely, breezy “Naturaleza” and the sassy “Tokhes,” a “Simon Says” type of number that teaches the names of body parts in Yiddish as listeners follow the movements the song dictates. “Lilah Tov,” the closing number, is a beauty. The vocals of Mister G (Ben Gundersheimer) are enhanced on the album by the participation of the Lander Grinspoon Academy Choir and the San Diego Jewish Men’s Choir. Get on board “The Mitzvah Bus.”

DANIELLE BRADBERY - “I DON’T BELIEVE WE’VE MET”
Danielle Bradberry, Season four winner of “The Voice,” returns with her second album, and it, too, is a winner. Now out of her teens, Bradberry displays more sophistication and a pleasing pop sensibility. There are country elements, yes, but you’ll hear more R&B and electronics and dance influences than Nashville flavors. Bradbery’s voice is pretty and effectively plaintive when it needs to be. She co-wrote seven of the 10 tracks. The opening number, the rhythmic “Sway,” is hard to resist. “Potential” is an uplifting ballad. Other top tracks include “What Are We Doing,” “Worth It,” and the rootsier “Laying Low.” Bradbery proves throughout that hers is a voice worth hearing.

PAUL McCANDLESS WITH THE PAUL WINTER CONSORT - “MORNING SUN: ADVENTURES WITH OBOE”
This extraordinary anthology covers the virtuoso double-reed artist Paul McCandless’ collaborations with The Paul Winter Consort. The retrospective spans more than 40 years, as McCandless graced the Consort with his magical oboe and English horn passages. Though he has a classical background, he also is a master of jazz improvisation. As evidenced here, his evocative, elegant, eclectic playing captures a multitude of moods. The opening number, “All Mornings Bring” exudes a captivating sense of wonder. It’s from the Consort’s “Icarus” album, which was produced by Sir George Martin. McCandless’ delicate work on “Elves’ Chasm,” was recorded in the Grand Canyon, allowing his oboe to blend beautifully with singing birds and rippling waters. His playing on “Bright Angel” truly shines. McCandless, on oboe, complements Native American singer John-Carlos Perea’s vocals on the Commanche healing song “Witchi Tai To.” He adds a sublime solo to “Anabela,” which features Brazilian vocalist Renato Braz. McCandless soars on “Common Ground.” The reflective gem “Morning Sun,” closes the set. Throughout, a reverence for nature lifts the music to tremendous heights. The Paul Winter Consort delivers diverse, delectable sounds. And McCandless’ nuanced playing adds immeasurably to the appeal and emotional impact.

CASEY JAMES - “STRIP IT DOWN”
With his second album, “Strip It Down,” Casey James antes up and should win audience appreciation. The 2010 “American Idol” finalist delivers earthy, earnest bluesy tunes here. James shows an authentic power as a singer, guitarist and songwriter. He’ll hook you from the opening track, “All I Need.” The title track simmers with an emotional urgency. He slows it down for the sultry “Need Your Love So Bad.” “Different Kind of Love” with its surging horns, is a soulful R&B ballad. “Supernatural” and “Killin’ Myself” are throbbing rockers.“Bulletproof” with guest Delbert McClinton, and “Hard Times, Heartaches *& Stars” are other top tracks, as is the country-inflected “Stupid Crazy,” with Bonnie Bishop joining him on vocals. “Makin’ Up” benefits from a bouncy, boogie feel. “Fight You for the Blues” sizzles with some hot slide work. The “Strip It Down” album needs no frills to grab listeners.

ENGELBERT HUMPERDINCK - “THE MAN I WANT TO BE”
At 81, Engelbert Humperdinck proves that his voice is ageless. Throughout this new album, he sings with unerring warmth and sincerity. The record is designed as a love letter to Patricia, his wife of 53 years. She’s suffering from Alzheimer’s. So there are touches of melancholy here, but also the joys of love fulfilled and remembered. The songs bridge pop and country, classic and contemporary. Humperdinck adeptly interprets Ed Sheeran’s “Photograph,” the Richard Marx/Fee Waybill tune “How Can You Live With Yourself?” and the Bruno Mars sensation “Just the Way You Are.” Engelbert’s granddaughter Olivia joins him on “I’m Glad I Danced with You.” He puts his own impressive imprint on such familiar tunes as Mann & Weil’s immortal “On Broadway,” Willie Nelson’s “Crazy” and the ever inviting Jim Reeves hit “Welcome to My World.” Humperdinck finds profound meaning in each lyric. Impeccably produced by Jurgen Korduletsch, this album proves that Engelbert is still the King of Romance.

“A LOVE SO BEAUTIFUL: ROY ORBISON WITH THE ROYAL PHILHARMONIC ORCHESTRA”
Thanks to Roy’s Boys and Legacy Recordings, there’s a lush new way to savor some of Roy Orbison’s most thrilling recorded vocal performances. With London’s Royal Philharmonic’s sumptuous sounds added, the tracks take on new, rich textures. The orchestration adds even more drama to such Orbison classics as “Running Scared,” “You Got It,” “Crying,” “In Dreams,” “Love Hurts,” “Only The Lonely (Know The Way I Feel)” and “It’s Over.” “I Drove All Night” is further fueled by the symphonic surges here. There’s a big band swing feel to “Dream Baby” and “Uptown.” The orchestra is careful not to get in the way of the rock energy of “Mean Woman Blues.” And the Philharmonic makes songs like “A Love So Beautiful” and “Pretty Paper” even prettier. Additionally, Roy’s sons Wesley (guitar), Roy Jr. (guitar) and Alex (drums) play on several tracks. They’re helping to carry on the Orbison legacy. Big O fans should be ecstatic over this new release.

MAY ERLEWINE - “MOTHER LION”
May Erlewine, an extraordinary artist who hails from Michigan, captivates with this, her 10th album. It’s a warm, intimate, moving collection of performances. The insightful folk-pop singer-songwriter displays a disarmingly lovely voice, compelling lyrics and enchanting melodies. The delicately, elegantly written and performed numbers that are sure to entrance you include “Fine Line,” “Too Wide,” “Shake The World,” “Paint The Town,” “Beautiful,” “Mountain Top,” “Your Heart,” “Before The Storm,” “What You Want,” “Get It Back” and “Grateful.” Each is a precious gem. She tells her stories with a rare compassion and understanding. Erlewine’s songs will tug at your heart, make you pause to think and linger in your memory. So sit, sigh and savor. This is an album to embrace.

CRAIG LEON AND THE BERLIN MUSIC ENSEMBLE - “THE FILMS SCORES AND ORIGINAL ORCHESTRAL MUSIC OF GEORGE MARTIN”
Yes, Sir George Martin did, in fact, have a career outside of producing The Beatles. And this new release from Atlas Realisations/Pias Classics sheds light on one impressive aspect of his talents with this new release. It presents his film scores and orchestral music, including previously unreleased compositions. Newly recorded and lovingly performed by The Berlin Music Ensemble, with Craig Leon conducting, the sounds are diverse and dramatic. It wasn’t just The Fab Four’s songs that made “Yellow Submarine” a musical wonderland. Martin’s “The Pepperland Suite” proves to be evocative and imaginative, conjuring all sorts of colorful images. These pieces segue from suspenseful to wonder-filled. His suite for the James Bond classic “Live and Let Die” complements Paul McCartney’s sensational theme song and the film franchise’s John Barry roots, but has a vibrant life of its own. Martin’s “Three American Sketches” for violin and chamber orchestra have a classical sweep, but with elements of swing and jazz. There are echoes of Gershwin and Copland. These works, too, have a cinematic sensibility. Lush and lovely passages transport the listener. Martin’s music for Dylan Thomas’ “Under Milk Wood” is beautiful and poignant. The previously unrecorded choral and orchestral score for “The Mission” displays a stirring majesty. This album makes us aware that, in addition to being a genius as a producer, George Martin was a gifted, versatile, under-appreciated composer. This important CD [also available digitally and as deluxe two-LP set] comes with a 16-page booklet.

REBA McENTIRE - “MY KIND OF CHRISTMAS”
Reba’s new Christmas album, available now on Nash Icon Records, is filled with warm, wonderful, intimate musical moments. The project has been widely released following the limited release with Cracker Barrel last year. It features some new songs, collaborations and packaging this time. Her supple voice, conveying sincere emotion, needs only a piano to provide accompaniment for most of this recording. The result is cozy holiday enjoyment. The upbeat, opening “Winter Wonderland” will put you in the right spirit. “Santa Claus Is Coming to Town” has the same sort of finger-snapping sense of fun. Reba brings her own glow to Mel Tormé’s “The Christmas Song (Chestnuts Roasting on an Open Fire.” Among Reba’s most powerful vocal performances are on “I’ll Be Home for Christmas” and Dolly Parton’s yearning “Hard Candy Christmas.” She brings a purity to such religious numbers as “O Holy Night,” “O Come All Ye Faithful” and “O Little Town of Bethlehem,” which brings a guest supporting vocal from Darius Rucker. “Mary Did You Know” is an exquisite Reba performance, enhanced by harmonies from Vince Gill and Amy Grant. Reba and Lauren Daigle deliver a moving version of “Back to God.” The album ends with a heavenly “Silent Night,” on which Reba is joined by Kelly Clarkson and Trisha Yearwood. Reba fans will cherish this album and make it a part of their annual holiday gatherings.

DAVE KOZ & FRIENDS - “20TH ANNIVERSARY CHRISTMAS”
Saxophonist Dave Koz again teams with buddies David Benoit (piano), Rick Braun (trumpet) and Peter White (guitar) for another delightful holiday celebration. Whether you’re a fan of jazz or pop, you’ll find pleasures in this new collection on Concord Records. A jaunty “Winter Wonderland” starts the merriment. The “Joy to the Wonderful World” medley has a sweet, nostalgic charm. The gang has fun with that “Peanuts” perennial “Christmas Time Is Here.” There’s a cooly jazzy “O Tannenbaum.” “O Little Town of Bethlehem” and a medley of “Hark! The Herald Angels We Have Heard on High” are lovely and reverent. Adding to the warm atmosphere are guest vocals by Gabriel Orengo (“Feliz Navidad”), Selina Albright (“Have Yourself a Merry Little Christmas”), Kenny Lattimore (“Hallelujah”) and Javier Colon (“Silent Night”). The wistful “Home” medley of “I’ll Be Home for Christmas”/“Celebrate Me Home,” with Jeffrey Osborne, is a wonderful way to end this engaging album.

BOOKS

CLOSE ENCOUNTERS OF THE THIRD KIND: THE ULTIMATE VISUAL HISTORY
By Michael Klastorin [Harper Design/HarperCollins Publishers]
It’s been 40 years since Steven Spielberg dazzled the world with his vision of an extraterrestrial visitation, “Close Encounters of the Third Kind.” The film won eight Academy Award nominations, including Best Director. It won for Best Cinematography by Vilmos Zsigmond. With a foreword by Spielberg himself, this lavish new hardcover, authorized, behind-the-scenes book by author Michale Klastorin (who worked as a publicist on more than 50 films) offers new insights into the full process of making the spectacular film. The project’s evolution is fascinating. Readers can study production illustrations, early steps towards crystallizing Spielberg’s inspiring story. There are engrossing details about everything from set design to casting to John Williams’ epic score to finding the ideal locations to creating the eye-popping special effects. Many of those involved in the making of the movie add invaluable commentary. The ample on-set photos are revelations in themselves. The book is particularly fun thanks to the inclusion of special inserts, such as annotated script pages, call sheets, concept pages and a telegram from one of the stars, legendary French director Francois Truffaut, to Spielberg. You’ll discover all sorts of previously unseen material from the archives. A Kindle version is also available. The book makes clear what a Herculean task it was to effectively transfer the uplifting story from Spielberg’s rich imagination to the silver screen. A million details go into sculpting a masterpiece. When you return to watch the film again, you’ll do so with an even greater awareness of and appreciation for its magnificence. Like the movie, this book is a treasure.

THE MAKING AND INFLUENCE OF I WAS A FUGITIVE FROM A CHAIN GANG
By Scott Allen Nollen [McFarland; www.mcfarlandpub.com; 800-253-2187]
Truth can be not only stranger than fiction, but more gripping, disturbing and heart-wrenching, as well. That is the case with the decades-long ordeal of Robert E. Burns. His life shattered upon his return from World War I. He was desperate. Associating with a couple of rough criminals, he was forced into participating in a petty robbery in Georgia. That led to the nightmarish punishment of enslavement on the Southern chain gangs. Burns ingeniously managed an amazing escape, carved out a successful honest career and became an upstanding, outstanding citizen. This he accomplished not once, but twice. Yet the Georgia authorities continued to ruthlessly pursue him. His brother, a minister and poet, tirelessly championed his cause. Eventually, this led to Burns’ story being sold to Warner Brothers, which fictionalized the sensational story as “I Am a Fugitive From a Chain Gang,” made by Darryl F. Zanuck and Mervyn LeRoy, starring Paul Muni as the Burns character. That film paved the way for countless other social issue movies from Warners and other studios. Scott Allen Nollen’s book delves deeply into the true story of Burns and how it affected the Southern prison system, as well as all aspects of the film — the pre-production, shooting and aftermath. Nollen also goes into detail about many of the films that followed in the wake of “Chain Gang.” Fascinating stuff.

THE WAY IT WAS: MY LIFE WITH FRANK SINATRA [Hachette Books]
By Eliot Weisman and Jennifer Valoppi
Eliot Weisman served as manager, booking agent and friend to Sinatra, during the final chapters of the Chairman of the Board’s life. This has resulted in an affectionately written memoir from Weisman. We see Sinatra’s toughness, trademark cool, and humor, but also a more poignant side, as the singer’s health begins to fail, his voice and memory falter, and signs of insecurity creep in. Weisman, collaborating with journalist Jennifer Valoppi, details Sinatra’s intense approach to his music. In the 1980s and ‘90s, he certainly didn’t have the same vocal magic he had displayed in the 1940s and ‘50s. But he could still get across a song like nobody else, thanks to his style, honesty and personality. Sinatra wanted to stay in the spotlight as long as possible — he lived to be on stage — but he was afraid of tarnishing his legacy. On the road, Sinatra never did sound checks or rehearsals. He could be a perfectionist, though he did not believe that perfection in music was attainable. In Weisman’s role as manager, not only for Sinatra, but also such other stars as Steve Lawrence & Eydie Gormé, Sammy Davis, Jr., Liza Minnelli and Don Rickles, he had to be not just a planner and money man, but a psychiatrist, protector and pal. Sinatra’s attitude when anything went wrong, on the road, in the studio or in life, was simply, “Just fix it, Pally.” Familial-like relationships developed. Weisman offers glimpses into many of Sinatra’s key relationships including adoring and adored daughters Tina and Nancy Jr., sometimes estranged son Frank Jr., wife Barbara and ex-wives, including Ava Gardner. Weisman even goes into the battling between Sinatra’s children and wife Barbara, over his estate. And then, of course, there was Sinatra’s bodyguard and buddy, Jilly. The two were inseparable for decades, until Jilly passed away, leaving another big void in the declining legend’s existence. There’s a funny incident involving Donald Trump, which climaxes with Sinatra sending a message to the billionaire — “Tell him to go f-ck himself!” Weisman chronicles a Rat Pack reunion, which fell apart when a grieving Dean Martin’s heart wasn’t into partying. The authors go into detail about the making of Sinatra’s smash 1993 album “Duets,” including some amusing tales about U2’s Bono. It’s clear from Weisman’s anecdotes that Sinatra gave and demanded loyalty. A champion of the underdog, Old Blue Eyes could be generous and friendly. But you didn’t want to cross him. Long before Springsteen, Sinatra was “The Boss.” Though you may have read a lot of books and viewed a lot of documentaries about Sinatra, you’ll still learn a lot you never knew about the man and his music from this respectful remembrance.

COOL HAND LOU: MY FIFTY YEARS IN HOLLYWOOD AND ON BROADWAY
By Lou Antonio [McFarland; www.mcfarlandpub.com; 800-253-2187]
If you have even a passing interest in theatre or television, you really have to read this book. With a wealth of experience, commendable honesty and amazing recall, Actor-director Lou Antonio shares valuable insights and anecdotes spanning from the 50s through recent times. Early on, he was part of the fertile New York and Los Angeles scenes. He has an impressive list of credits. As a director, he has helmed episodes of such diverse TV shows as “Then Came Bronson, “Here Come The Brides,” “The Flying Nun,” “Owen Marshall,” “The Partridge Family,” “Banacek,” “McCloud,” “Chicago Hope,” CSI: Scene Investigation,” “The Guardian” and “Boston Legal,” plus dozens of made-for TV movies. Always a compelling presence on screen, his acting credits date back to “Have Gun — Will Travel,” “Naked City,” “Route 66,” “The Fugitive,” “12 O’Clock High,” “The Monkees,” “I Dream of Jeannie,” “Bonanza,” “The Virginian,“ “Gunsmoke,” “Mission: Impossible,” and “Dan August.” “On “Star Trek,” TOS, face painted half-white, half-black, he played Lokai in the still vital fable on racism — “Let That Be Your Last Battlefield.” One of his most memorable film appearances came in “Cool Hand Luke.” So Antonio has worked with countless legends. But he crossed paths with even more. Just to name a handful of the celebrities involved in his memor — William Shatner, Elizabeth Taylor and Richard Burton, Lee Strasberg, George C. Scott, Heath Ledger, Paul Newman, Michael J. Fox, George Peppard, Ruth Gordon and Garson Kanin, Laurence Olivier, Shelley Winters, Otto Preminger, Henry Fonda, Gena Rowlands, Patty Duke, Julie Harris and Martin Landau. Some stories will elevate the reader’s opinion of a star even more; others will take off some of the lustre. That makes it even more fun to walk through Antonio’s life with him. But the book is also enlightening. He shines a spotlight on the actor’s struggle, particularly in the beginning years, scraping together enough money for the barest of necessities, handling all the rejections. Antonio details the trials and triumphs. He was one of the artists who had enough resilience and determination to survive in a demanding, often unjust profession. But he felt a genuine compulsion to express himself through the dramatic arts. Antonio’s explanations of delving into “the method” may help the layman gain a clearer understanding than any Stanislavski text would provide. So we get a revealing glimpse into both the craft and career of acting. He illumination the challenges of directing, as well. With Antonio’s conversational style and sharp wit, this is a remarkably entertaining and worthwhile book.

TELEVISION WESTERN PLAYERS 1960-1975: A BIOGRAPHICAL DICTIONARY
By Everett Aaker [McFarland; www.mcfarlandpub.com; 800-253-2187]
This book, described on the cover as “a biographical dictionary,” will provide endless fun for TV Western buffs. Here you’ll find information, often quite detailed, on every actor or actress who appeared in a regular or recurring role in a Western series of that golden era, 1960-1975. Putting together such a resource must have been a daunting task, but author Everett Aaker has done a remarkable job. Even aficionados are certain to discover new facts here. For instance, did you know that Guy Williams was rejected for military service due to a deformed foot? Yet he appeared to be nimble and athletic as he wielded a sword in “Zorro.” Gene Barry, TV’s “Bat Masterson,” was on the way to a career as a concert violinist before he badly broke his arm playing football. Which Western star’s first language was Yiddish? That would be Ross Martin — Artemus Gordon on “Wild Wild West.” And which TV leading man had his face completely demolished in a construction site accident BEFORE achieving stardom? That would be Eric Fleming (Gil Favor on “Rawhide”), who fortunately, following three major surgeries to repair the damage to his visage, was left with a ruggedly handsome appearance, perfect for Westerns. Of course, all the classic shows, such as “Gunsmoke” and “Bonanza” have a presence here. But you’ll also read about lesser known series, such as “Travels of Jamie McPheeters” (featuring a young Kurt Russell) and “Two Faces West” (in which Charles Bateman played twins — a frontier doctor and a marshal). There are entries on Clint Eastwood, Henry Fonda and Joel McCrea, but you’ll also enjoy reading about Don Durant (“Johnny Ringo”) and Pat Conway (“Tombstone Territory”). You might start by looking up some of your favorite performers. But you’ll find the book to be addictive and you’ll want to read each and every bio.

BOOK OF LONGING
By Leonard Cohen [Ecco/HarperCollins]
This new, limited edition, hardcover printing of Leonard Cohen’s poetry provides an ideal opportunity to delve deeply into the soul of one of the greatest artists of his generation. Cohen’s poetic song lyrics have moved listeners for decades and will continue to do so as long as this crazy planet keeps spinning. Though his poems are not as widely known, they are equally revealing and intriguing. “Book of Longing” was first published in 2006, 22 years after Cohen’s previous collection, “Book of Mercy.” Most of the poems of “Longing” were written at a Zen monastery on Mount Baldy in California, where he lived from 1994 to 1999. Some were penned in India, which he often visited during that period as part of his spiritual quest. Others emerged from his time in Los Angeles and Montreal. Cohen had used a few of the poems as song lyrics for his “Ten New Songs” (2001) and “Dear Heather” (2004) albums. In this collection, a decade before his passing at 82, Cohen was already grappling with the ticking clock and the decline aging brought. And the poetry reflects many forms of longing — sexual, romantic, idealistic, the yearning for spent youth, a hunger for answers, a search for elusive love, happiness and peace. His passions burn bright… but he can’t seem to commit himself to permanent ties, as others might. As he says in “The Paris Sky,” “Her legs are long… her heart is high…The chains are strong… but so am I.” Throughout, Cohen seeks balance in a tilt between the sensual and the spiritual, the sacred and the profane. There’s also the sad realization of society’s failings… and often of his own. Our culture’s utopian dreams of the 60s have given way to a more cynical reality. And Cohen mourns the loss. As he writes in “Moving Into a Period,” “The public yearning for Order will invite many stubborn uncompromising persons to impose it. The sadness of the zoo will fall upon society.” And there’s much humor here — wry, sometimes biting, sometimes gentle, often self-deprecating. Cohen can be tantalizing, rascally or contemplative. These poems are stimulating — erotically, intellectually. The book is also filled with diverse, eye-catching Cohen sketches — women, birds, guitars. The drawings add to the texture of the poetry. Many are self-portraits, less-than-flattering, but quite telling. In “Thousands,” Cohen says that, of the thousands who want to be known as poets, there may be one or two who are genuine. The rest are fakes. “I am one of the fakes… and this is my story.” In truth, Cohen was more genuine than most of us could ever hope to be. And when he tells his story, in song or poetry, it may be intensely personal, but Cohen strikes a universal chord.