DEJA RE-VU
Pop Culture Classics’ Recommended CDs, DVDs and Books

By Paul Freeman


DVDs

"PICNIC AT HANGING ROCK"
In 1975, director Peter Weir transformed the much lauded Joan Lindsay novel "Picnic at Hanging Rock" into a classic Australian film. But this 2018 TV mini-series makes its own indelible mark, darker, more in depth than the movie version. A mysterious widow (Natalie Dormer of "Game of Thrones") turns a Gothic mansion into a finishing school for girls. On Valentine's Day, 1900, four young women -- three students and their teacher -- disappear during a school picnic at the ominous local landmark, Hanging Rock. One of them is a Rothschild heiress. The longer they remain missing, the more entangled the investigations and theories become and the greater the paranoia grows.

The series, now available on Blu-ray from RLJ Entertainment, enthralls from the opening frames to the final moments. The six episodes, on two discs, are brilliantly directed and wonderfully acted. Suspense subtly, gradually builds. The score is subtly eerie. And the cinematography is dazzling (spectacular on Blu-ray), contributing to the haunting quality of the film. It is at times poetic, erotic or filled with dread. There are contrasts between light and dark -- the Gothic mansion with sun pouring through stained glass; the colorful costumes; the glorious, bright Australian scenery, juxtaposed with foreboding, shadowy rock formations.

Dormer leads a uniformly excellent cast. Her portrayal of the widow is a revelation. At first seeming simply prim, proper and staid, Dormer slowly peels aways the layers, giving us glimpses into all that boils beneath the surface.

This perplexing, intriguing, beautifully made mystery-drama will stay with you long after you've finished watching it. The set includes bonuses of cast interviews and behind-the-scenes footage.

"THE GROUP"
Few ensemble films can boast a cast as exceptional as that of 1966's "The Group," based on Mary McCarthy's iconic novel. The movie has just been made available on Blu-Ray by Kino Lorber.

The movie showcases many of the finest, rising female actors of the era -- Joan Hackett ("Support Your Local Sheriff," "The Last of Sheila"), Jessica Walter ("Play Misty for Me," "Arrested Development"), Joanna Pettet ("Casino Royale," "Blue"), Elizabeth Hartman ("A Patch of Blue," "The Beguiled"), Shirley Knight ("The Rain People," "As Good As it Gets"), Kathleen Widdoes ("The Mephisto Waltz," "As The World Turns"), and, in her first film appearance, Candice Bergen ("The Sand Pebbles," "Murphy Brown"). It's one of several screen debuts here.

They etch memorable characters who meet at Vassar in 1933. They leave the university full of optimism, but not really prepared for life. They have a lot of hard lessons to learn about the roles of women in their contemporary society. They stumble through marriages, affairs, career complications. They must entangle situations dealing with everything from frigidity to lesbianism, contraception to abortion, miscarriages to mental illness. The film was considered startling, in many ways, at the time of its release. Through all the trials and tribulations, bonds of friendship survive, despite bouts of hostility and envy on the parts of some.

The men in their lives are mostly chauvinistic, weak, cruel and clueless. Key roles are essayed by Larry Hagman ("Fail-Safe," "S.O. B."), Hal Holbrook ("All The President's Men," "Magnum Force"), Richard Mulligan {"Little Big Man" and TV's "Soap") and the one sympathetic male, James Broderick ("Dog Day Afternoon," TV's "Family").

The extraordinary director Sidney Lumet elicits many superb performances, including Hackett as the repressed Dottie; Joanna Pettet as the tragic Kay; Walter as the acid-tongued, gossipy Libby; and Hartman has the pure-hearted, vulnerable, liberal Priss.

Hagman, light years removed from the light comedy of "I Dream of Jeannie" or the tongue-in-cheek melodrama of "Dallas," is a revelation here, playing Pettet's abusive, alcoholic husband, a would-be actor/playwright. Hagman doesn't hesitate to strip away all charm to reveal the character's darkest, most horrific flaws.

Carrie Nye (the great theatre actress who was married to Dick Cavett) also stands out in a supporting role as one of the women with whom Hagman cheats on Pettet.

A sumptuous film with numerous strong female characters, "The Group" is well worth another look now, in the "Me Too" era.

And, by the way, the new Kino Lorber release looks fabulous. The images are perfectly distinct on Blu-Ray, like watching a mint 35mm print at the movie's premiere. And the DTS sound is crisp and clean throughout. As for bonus features, we get the trailer for "The Group," as well as several other features.

"DICK CAVETT SHOW: INSIDE THE MIND OF...." Volume 1, 2
Dick Cavett always displayed a masterful ability to uncover previously little known sides of celebrities, artists, writers and politicians in his interviews with them. He had a special rapport with comics, as evidenced here. The first volume of "Inside the Mind Of..." includes Richard Lewis, Bobcat Goldthwait, Gilbert Gottfried and the big attraction, a two-parter with Robin Williams. Williams, soaring with his newfound Mork superstardom, speeds through an hilarious range of comic topics and talks about his idol, Jonathan Winters, as well as the downside of fame. Lewis, then starring on the "Anything But Love" sitcom is at his neurotic best.

Volume 2 offers George Carlin, Martin Mull and Steve Martin episodes. Steve Martin discusses his meteoric rise. Martin Mull is at his witty best. Cavett digs into Carlin's comedic philosophies. You'll know all of these great comic minds much more intimately after viewing these vintage Cavett interviews.

"SO DARK THE NIGHT," "MY NAME IS JULIA ROSS"
Applause to Arrow Academy for releasing, separately, on Blu-ray, two of director Joseph H. Lewis' finest films -- "My Name is Julia Ross" and "So Dark The Night." These are too seldom seen classics in the mystery/noir genre.

"So Dark Tshe Night" introduces us to Henri Cassin (Steven Geray), a French police detective. Cassin is a sharp as Maigret or Poiret and his talent for solving crimes has made him a celebrity. His superior insists that Cassin needs a vacation, so the detective travels to a quiet country village. He slips into an unexpected romance with a much younger local woman (Micheline Cheirel). They become engaged, enraging her longtime boyfriend. The girl is murdered. Soon her former amour and her mother are also found dead. Cassin passionately follows the clues, desperate to solve the case. But he's left baffled and frustrated. What is he missing? Watch for kooky comedian Brother Theodore as a hunchback.

1945's "My Name is Julia Ross," based on the Anthony Gilbert novel "The Woman in Red," presents a young woman named Julia who, behind on rent, happily accepts a job to work as a secretary for a widow (Dame May Whitty). After being drugged, she wakes up to find that the widow has told everyone that Julia is actually the wife of her disturbed son (menacingly portrayed by George Macready). The townsfolk believe she has suffered a mental breakdown and doesn't remember her own identity. Meanwhile, Julia begins to realize that a deadly plot has been hatched.

In both films, Lewis' stylish direction overcomes the low budgets, establishing atmosphere and suspense, utilizing interesting angles and framing techniques. He has also elicited some outstanding performances, particularly that of Nina Foch. Foch, who later enjoyed decades of success as a character actor, is riveting, always convincing, as the victimized, but indomitable Julia Ross.

Both films look fabulous in their new Blu-ray incarnations. Sound is impressive, as well. Each of the discs offers incredibly informative commentary tracks, as well as featurettes on the director's work. These two Arrow Academy releases are the ideal way to discover the skills of Joseph H. Lewis.

"HUMANS 3.0"
Welcome to the revolution! On Blu-ray, in 1080p, from RLJ Entertainment, the intense show is as visually arresting as it is dramatically. These are the uncut UK versions of the shows. Far more compelling that series two, the third season of this brilliant British sci-fi show goes even darker. It takes place a year after the previous one.

The human lawyer Laura (wonderfully portrayed by Katherine Parkinson ("The IT Crowd") is resolutely trying to convince her fellow human beings of the synths' right to exist and be treated with justice and compassion. Having all now achieved consciousness, they deserve equality, not hate, fear and violence.

Conflict abounds, both between the two species and within the various factions of synths. Max, who started out pure and naive, has evolved into a true leader. New characters are introduced in this series and several older ones are given more depth and resonance. There are several shocks and tension stays high throughout the course of these eight episodes, presented here on two discs. Of course the themes of prejudice and intolerance are sharply relevant. Bonus material includes interview segments with cast and crew.

"YOUNGBLOOD"
He shoots, he scores! In this stirring 1986 sports movie, (now available on Blu-ray from Kino Lorber) Rob Lowe ("St. Elmo's Fire") convincingly plays a teen hockey sensation, Dean Youngblood, who can skate and score in dazzling fashion. He leaves the family farm, heads north across the Canadian border and joins a top junior team entering the Memorial Cup Championships. Then he learns that there's much more to the game that just skill.

Dean won't truly be accepted until he shows heart and grit. And in this setting, that means putting up his dukes and facing the psychopathic goon on the opposing squad, one who relishes maiming everyone in his path. The film shows all the conflicts, rivalries and camaraderie.

Much of what Dean learns comes from the rugged team captain. He's played coolly, while simmering underneath, by Patrick Swayze ("Ghost"). There's a typical (for those days) initiation scene, in which Dean gets some unwanted manscaping from his guffawing teammates. He also gets initiated by the landlord of the boarding house where the lads stay. She's an insatiably lusty lady, played with zeal by the wonderful Fionnula Flanagan ("The Others"). Of course, usually the teens playing junior hockey were actually billeted with wholesome families, but this character is far more colorful.

"Youngblood" isn't always believable, but it is consistently compelling, rousing entertainment. Sometimes the violence on ice looks more like "Slap Shot" than what would really be taking place in a major junior hockey league game. Every few seconds there's an infraction that would really have resulted in ejection and suspension. Here there's rarely even a minor penalty called. But it works for enflaming the players' -- and the audience's -- emotions. The movie's 80s hair and music adds to the fun.

Ed Lauter ("The Longest Yard") is suitably imposing as Youngblood's coach. Cynthia Gibb ("The Karen Carpenter Story," "Fame") is irresistible as the coach's daughter, who, naturally, becomes Dean's romantic interest... soon after seeing his bare butt hanging out of his jock strap in the locker room hallway.

Jim Youngs (John Savage's brother, Youngs was featured in "The Wanderers") is outstanding as Dean's tough older brother, whose hockey dreams were crushed by an eye injury. Eric Nesterenko, who played in the NHL for many years, does a good job playing their father. You'll also spot a young Keanu Reeves in an early role as the junior team's goalie. Hockey fans might also recognize Peter Zezel, who plays one of the junior players. He began a very successful NHL career the year following this movie.

The Kino Lorber release includes a not-to-be-missed audio commentary by writer-director Peter Markle ("Bat 21"), who obviously has a tremendous passion for the game. He explains how Lowe learned in just a few weeks to skate and stick-handle credibly (though doubles were used from some of the fancier moves). Markle tells some great stories about Nesterenko's exploits. He also mentions Lauter's fake hockey scars... and toupee.

"Youngblood" is a must-have for hockey aficionados, who will quickly rank it among their favorite movies, if they haven't already done so. The game action scenes are excitingly shot. But even for those who don't know a puck from a crab cake, the enjoyable film will have them cheering for Dean to overcome obstacles as he fights for his dream of a pro hockey career.

"THE RETURN OF THE VAMPIRE"
Armand Tesla looks darn good for a 200-year-old. This Hungarian vampire (who bears an uncanny resemblance to Universal's Count Dracula) wreaks havoc in the 1918 London countryside. A railroad spike through heart does slow him down. But he wakes up refreshed, decades later, after a Nazi bomb inadvertently unearths his coffin and gravediggers unfortunately remove the stake from Tesla's chest. With a werewolf servant to do his bidding, Tesla is hungry not only for fresh blood, but for vintage revenge. Efficiently directed by Lew Landers, this 1943 Columbia horror movie will keep jittery.

The legendary Bela Lugosi once again puts plenty of bite into the vampire role. He plays the part with plenty of both menace and relish. Nina Foch, (in her feature debut), the object of his lustful fascination, is notable in the supporting cast.

The crisp Blu-ray images will add to the chills and eeriness the vampire stirs up. The Scream Factory release presents three separate new audio commentaries with different film historians offering their expertise. So there are fresh insights galore. Other extras include real novelty -- a silent 8mm version that horror buffs could enjoy in their living rooms, with the clickety-clack of their little home movie projector, in the days before video cassettes. Also provided here are a theatrical trailer and still gallery.

"THE PLAGUE OF THE ZOMBIES"
Scream Factory has brought back to life a Zombie classic -- the 1966 Hammer horror film, "The Plague of the Zombies." Set in the 19th century, in a remote Cornish village, a mysterious plague is felling the populace. Evil is lurking in unexpected places. Haitian witchcraft is used to turn the dead into free labor. An army of undead workers does tend to increase profits. John Gilling's direction, as well as a nerve-jangling score, keep the atmosphere tense. Viewers will be on edge throughout. Scares are effective and frequent. This is a film that deserves more attention.

The new Scream Factory scan gives us a sharp, vibrant picture, with rich colors. The package offers valuable bonuses, including two informative and entertaining new audio commentary tracks, plus the World of Hammer episode "Mummies, Werewolves & The Living Dead" and "Raising The Dead -- The Making of The Plague of the Zombies," as well as theatrical trailer and more. There are terrific shots in the Still Gallery.

CDs

TOM BRUMLEY AND THE BUCKAROOS- "STEELIN' THE SHOW"
He may not be a household name, but he should be. During his lengthy tenure as one of the Buckaroos, Tom Brumley's artistry on pedal steel guitar helped shape Buck Owen's Bakersfield Sound. Later, Brumley spent years pioneering the melding of country and rock as a core member of Rick Nelson's Stone Canyon Band. You might also remember Brumley's work with Desert Rose Band.

His playing on pedal steel was innovative and intuitive, always managing to imaginatively complement any particular song. He could play with zest and zing. Or he could tug at your heartstrings. Always, Brumley played with a remarkable fluidity.

This new compilation album, "Steelin' The Show," from Omnivore Recordings, displays Brumley's pedal steel wizardry. It also showcases his dobro mastery. There are 17 tracks here, drawn from nine Buck Owens & The Buckeroos releases. Top tunes include "Tom Cattin'," "Steel Guitar Rag," "Steel Guitar Polka," "Tracie's Waltz" and "Highland Fling." The closing number, "Together Again" is the classic tune with Owens' plaintive vocal, made more moving by Brumley's weeping pedal steel. Whether exuberant or deeply emotional, his playing on all of these performances will leave listeners in awe.

HUNT SALES MEMORIAL - "GET YOUR SHIT TOGETHER"
After years of enslavement to heroin, Hunt Sales has his shit together and now, at age 64, has released a dynamite new album. The veteran drummer/singer/songwriter began his performing life as a would-be teen idol. He and his brother Tony, the sons of comedian Soupy Sales, appeared on TV's "Hullabaloo" as the band Tony & The Tigers. Later he displayed his chops playing with Iggy Pop, David Bowie's Tim Machine, Todd Rundgren and other rock luminaries.

His addiction dragged him down, but Sales, now sobered up and still with rock 'n' roll blazing inside him, has come back with a raw, real, raucous new record, powered with roots rock, blues and R&B. Hs tells it like it is, not shrinking from the darkness from which he has emerged.

His weathered vocals add to the authenticity, meshing with fiery electric guitars, urgent bass, growling sax and, of course, pounding drums. Top tracks include "Here I Go Again," "Magik," "Way on My Own," "Bitch Done Left," the Stonesy "Shimekra's Got the Hook Up," the rollicking "Sorry Baby" and the tender, melancholy of "One Day." On "It Ain't Easy," he bares his soul, singing, "It's so hard to do the right thing."

Hunt Sales has more than paid his dues. "Get Your Shit Together" is the result of bravely struggling back from the abyss, taking a long, hard path to rock 'n' roll redemption.

JUNE BISANTZ & ALEX NAKHIMOVSKY - "LOVE'S TANGO"
June Bisantz (vocals, lyrics) and Alex Nakhimovsky (piano, music, arrangements) make a terrific team. They have been recording and touring together since 2005 and their chemistry is obvious. They're both in top form in this new album of original Latin/jazz songs. Whether delivering a samba, tango, bossa nova tune or Rachmaninoff-influenced string quartet prelude, the duo delivers, with vibrancy, sensitivity and charm.

Delights include "This Reverie," "Prelude to a Wish," Love's Tango" "Ocean Dreams," "It's You" and the exquisite "A Wish That Came True." Strings and the work of such outstanding musicians as guitarist Norman Johnson perfectly enhance the twosome's musical vision. An air of breezy romance flows through this winning new album from Bisantz and Nakhimovsky.

DANIEL SZABO- "VISIONARY"
Daniel Szabo, the award-winning, L.A.-based, pianist/composer achieves rare forms of beauty on his new album, the aptly titled "Visionary." Bridging the worlds of jazz and classical, Szabo seamlessly weaves together the sounds of jazz trio and chamber ensemble. His compositions, elegantly arranged and artfully played, invite the listeners to close their eyes and experience images his marvelous melodies stir in the mind. Even the song titles are evocative -- "Cosmic," "Infant Eyes," "Floating," "Underwater," "Vaison-La-Romaine" and the title track. Szabo's richly realized music, often displaying a filmic flair, takes us on enticing journeys, spanning many styles and moods.

BEVERLEY CHURCH HOGAN - "CAN'T GET OUT OF THIS MOOD"
Vocalist Beverley Church Hogan began performing early in life. Winning an amateur show at age 12 earned her a weekly radio gig. In her teens, she played clubs in her native Montreal. Shortly after arriving in Los Angeles at 21, she was offered a Capitol Records contract. But by that time she was married and had a baby. She turned the offer down and spent the next 40 years as a mother, wife and businesswoman.

In 2002, however, she began singing at a top L.A. jazz venue. And, at age 83, Church Hogan recorded this, her debut CD. Her accompanist for the past decade, Grammy-winning composer John Proulx, served as pianist, arranger and producer for the project. They enlisted top-flight musicians to join them on this memorable journey.

Church Hogan's voice is youthful, vibrant, vivacious and exceptionally expressive. She puts her whole heart into her interpretation of the lyrics. She has shown great taste in her selection of the material. Among the memorable performances are Jimmy McHugh and Frank Loesser's "I Can't Get Out of This Mood," Rodgers and Hart's "Wait Till You See Him." Kurt Weill and Ogden Nash's "Speak Low," Sammy Cahn and Julie Styne's "Time After Time," "Bobby Troup's "You're Looking at Me," Stephen Sondheim's "Losing My Mind" and "Stuck in a Dream," which was written by Proulx with lyricist Lawrence Dunham.

Church Hogan is an inspiration. She's an artist well worth waiting for. She proves that it's never too late.

BOOKS

THE ROLLING STONES IN CONCERT, 1962-1982: A SHOW-BY-SHOW HISTORY
By Ian M. Rusten [McFarland; www.mcfarlandpub.com; 800-253-2187]
From a raw, bluesy band, grinding it out in London clubs, to one of the most popular rock 'n' roll groups in the world, packing stadiums, this new book by Ian M. Rusten chronicles the wild history of The Rolling Stones, live in concert. The author gives us a sense of the band members' distinctive personalities, as well as a feel for the relationships within the group. Exhaustively researched, it includes countless details about the electrifying shows, regarding not only the Stones, but other acts on the bills and even the audiences. There are snippets from concert reviews. Rusten follows the changing lineup, sound and set lists. There's also info on album releases and TV appearances that coincided with tours.

It was one memorable night after another for the band and their fans. At the height of the British Invasion, a girl in New Zealand leaps off the balcony, eludes security guards and throws herself on Mick Jagger and clings to him as they drag her away. There was the time at the L.A. Forum when Jagger dumped a bucket of water on Liza Minnelli, her sister Lorna Luft and his wife Bianca. There are bits about Keith Richards' self-destructive escapades. Who would have guessed he'd still be going strong in 2019?

How's this for a dream concert? On November 24, 1965, the Stones joined Dick Clark's Caravan of Stars tour for one show at Pittsburgh's Civic Arena. Also on the bill? Among others, The Byrds, Paul Revere and The Raiders, Patti LaBelle & The Blue Belles and Bo Diddley! On Nov. 24, 1969, the Stones played to 14,000 devotees at Detroit's Olympia Stadium. Demand for tickets was so great, the promoter booked a second show. When the band hit the Motor City on their first U.S. tour, only 619 people showed up. This informative and entertaining book gives us a true sense of the band's evolution.

TOM PETTY AND ME
By Jon Scott [CB Publishing; for a copy autographed and personalized by the author, go to TomPettyAndMe.com]
Inconceivable as it may seem, most industry and radio people totally missed the potential of Tom Petty and The Heartbreakers when they released their first album. One pair of ears that did perk up instantly belonged to Jon Scott. Scott has written an entertaining and informative book about his 40-year-friendship with Petty.

Scott, a former deejay, who became a top echelon promotions man, was fired by MCA for his relentless fervor in championing John Mellencamp [who wrote the foreword for this new book]. The label saw no future for Mellencamp, then known as Johnny Cougar.

ABC Records snapped Scott up, but he immediately put his new job in jeopardy by passionately standing up for what seemed like another lost cause -- Tom Petty and The Heartbreakers. As soon as he heard songs like "Breakdown," Scott had goosebumps. Though the cover photo suggested this was a punk act, Scott knew real, honest, gimmick-free, soul-stirring rock 'n' roll, when he heard it. He was determined to get this music widely heard.

His first meeting with Petty, after a show, did not go well. The band was hostile, believing Scott to be just another label suit. And labels had already burned, disappointed and ignored Petty and the Heartbreakers, who had sold few albums in their debut's early months. Scott promised to change all that. And he came through, working tirelessly to get stations to add the band's music to their playlists. Sales mounted. Petty quickly changed his tune, when it came to Scott. They smoked a peace pipe. And a bond grew between the rocker and the promo man.

The book offers a behind-the-scenes look at the music industry of that era, as well as insights into Petty... and an unusual, beautiful friendship.

THE MUSIC OF CHARLIE CHAPLIN
By Jim Lochner [McFarland; www.mcfarlandpub.com; 800-253-2187]
Innumerable books have been written about the cinematic genius of Charlie Chaplin. But this new study by Jim Lochner takes a very fresh approach. Lochner analyzes the musical genius of Chaplin and how it enriched his films. This brings an entirely new perspective to our viewing of Chaplin classics.

Chaplin was a prolific composer who began writing and publishing movie music as early as 1916. Yet he was completely untrained as a musician. He could neither read nor write music notation. Chaplin believed that being versed in proper music structure would hinder his creativity. He preferred to let the melodies and rhythms pour out of him freely and naturally.

From early childhood, music was a vital part of Chaplin's soul. His parents were performers. He could play a bit of piano, violin and cello, the instrument he most loved. In composing, he would sing, hum and similarly convey what he wanted to accomplished musicians . They would then do the transcriptions and arrangements, which were completed exactly to his demanding specifications.

He also carefully chose pre-existing tunes to incorporate into film showings. He displayed an affinity for opera and operetta, but also drew on popular songs of the day, as well as symphonic works, weaving them into the screen action, wherever appropriate.

Lochner presents an overview of how music was used in silent cinema, how great conductors led huge orchestras for premiere events at the grand movie palaces. He also points out how haphazard music accompaniment could be at small theaters in little towns. This could be frustrating for an artist like Chaplin.

Thus Chaplin was delighted at the advantages synchronized sound brought. Though for years, he disdained the use of dialogue, believing it diminished the art of film, he reveled in the opportunity to compose music that would be an integral and consistent part of his filmmaking vision. The author also delves into the new scores Chaplin wrote for reissues of his classics.

Chaplin created a wonderful body of musical work. He penned such memorable tunes as "This Is My Song," which became a smash for Petula Clark, and the sentimental pop standard, "Smile."

We can rewatch each of the Chaplin classics with a fresh eye and ear, thanks to this insightful Lochner book.