DEJA RE-VU
Pop Culture Classics’ Recommended CDs, DVDs and Books

By Paul Freeman


DVDs

"LOST IN THE STARS"
We're all lost in the stars. And as we stumble through our lives, sometimes dire circumstances and desperate decisions lead to tragedy. The musical "Lost in the Stars" is based on Alan Paton's beloved novel, "Cry the Beloved Country," an impassioned indictment of South Africa's Apartheid. The musical theatre version debuted on Broadway in 1949. A critical, but not a significant commercial success, it has not enjoyed many major revivals in the years since.

But in 1974, a film adaptation was shot as part of American Film Theatre, which brought worthy stage productions to the screen for a subscription cinema series. This version of "Lost in the Stars" has now been released on Blu-ray by Kino Classics and it's a must-see. With stirring music by Kurt Weill ("Threepenny Opera), book and lyrics by Maxwell Anderson ("Anne of the Thousand Days," "Winterset") and direction by Daniel Mann ("The Last Angry Man") the movie meshes vibrant songs and powerful drama to deliver a still relevant message. The film opens up the action, but retains an intimacy that makes its characters relatable and sympathetic.

It tells the story of a black preacher (Brock Peters, "To Kill a Mockingbird"), who comes to Johannesburg to search for his wayward son Absalom (Clifton Davis, TV's "Amen"). The impoverished Absalom has impregnated his girlfriend. Living in an unjust society, hungry for an opportunity and the funds to finance one, he gets involved with a bad crowd. During a home invasion robbery gone wrong, he shoots a white man. When his father comes to visit him in prison, Absalom, unlike the other two men involved in the crime, admits his guilt. He knows the consequences -- hanging. Despite the misery, oppression and racism depicted, the film's ending tries to find a trace of optimism for a brighter future in which, perhaps, black and white can peacefully, equally, co-exist.

The cast is superb. Peters communicates the disillusionment and bewilderment of the once steadfast reverend, who has stepped out of his Zulu village into the moral quagmire of the big city. And his singing voice is rich and glorious. Davis conveys the torment of Absalom, who finally finds redemption in the truth. He also displays a beautiful voice, as does Melba Moore, as his anguished girlfriend. Other top-notch talents in the cast include Raymond St. Jacques, John Williams and Paula Kelly.

The Blu-ray's special features include an illuminating interview with Edie Landau, who recalls the roots, rewards and challenges of the American Film Theatre project, as well as a promotional film her husband Ely Landau made for this ambitious series he produced. There are also trailers for the other American Film Theatre adaptations.

"GALILEO"
Galileo Galilei had his head in the stars. After building an early form of telescope, the ingenious 17th century astronomer/physicist makes a startling, revolutionary discovery -- the moons of Jupiter. This leads him to declare that the Earth rolls around the Sun. The Catholic Church, which loomed pervasively over Italian society, insists that the Earth is the center of the universe and finds Galileo's work to be blasphemous. In the era of the Inquisition, that could result in burning at the stake. Will Galileo embrace the role of martyr? Will he relent and recant?

This vital chunk of history was examined in the play "Galileo," by Bertolt Brecht. His first version of the theatrical piece came in the 1930s. In the 40s, Charles Laughton starred in a production. In 1975, American Film Theatre released a cinema version with Topol in the title role, directed by Joseph Losey. It is now available from Kino Classics.

Topol captures Galileo's unwavering passion for science. Galileo immerses himself totally in experiments, as his students worshipfully hang on his every word. As the character ages, Topol makes the transitions credible and seamless.

A trio of boys sing between scenes, providing a graceful segue.

Losey's superb supporting cast includes Edward Fox, Tom Conti, Colin Blakely, Margaret Leighton, Michael Gough, Michael Lonsdale, Patrick Magee and John Gielgud. Georgia Brown and Clive Revill pop up as colorful ballad singers.

Losey, who had directed the 1947 theatrical production, brings Brecht's work to the screen skillfully, retaining the theatrical elements, while also making it effective cinematically. Having been blacklisted during the McCarthy era, as was Brecht, the director could profoundly relate to the fear and dilemmas instigated by the Church's witch hunts. His film is smart, stylish and thought-provoking. It demonstrates how truth and reason can be buried beneath a mountain of oppression. The screenplay, penned by Losey and Barbara Bray, also touches upon the uses -- and misuses -- of science, as in how it can be quickly co-opted for military purposes.

Like "Lost in the Stars," the "Galileo" Blu-ray contains the bonuses featuring the Edie and Ely Landau segments, as well as the American Film Theatre trailers. Viewers also get an informative 2003 interview with Topol, who expresses his love for Brecht, the play and the role. He also offers insights into Losey.

"PATRICK MELROSE"
Acorn Media has released "Patrick Melrose" on Blu-ray and DVD. So if you haven't yet seen the series, it's time to immerse yourself in one of the most fascinating portrayals in recent memory. Benedict Cumberbatch plays a posh, English drug addict who's plummeting into an abyss. The role has been brilliantly adapted by writer David Nicholls from the autobiographical novels of Edward St. Aubyn. Cumberbatch gets every ounce of canny dark humor out of the character, as well as the pitiful and poignant aspects.

As the limited series opens, Patrick is dealing with the death of his father. This sets him off on further binges -- heroin, speed, booze, you name it. The women in his life try their best to pull him back from the brink, though they fear the futility.

When it comes to self-destruction, Patrick is a star. Expertly directed by Edward Berger, Cumberbatch peels back all the layers of this tormented soul.

Much of Patrick's nightmarish childhood is revealed in flashbacks. Hugo Weaving and Jennifer Jason Leigh are harrowingly convincing as the horrendous parents. The entire supporting cast is impeccable. But it's Cumberbatch's work here that will make you laugh, rip at your heart and ultimately haunt you.

The special feature on this two-disc set is a brief behind-the-scenes feature.

"FM"
In the 70s, FM radio was a force to be reckoned with, expanding the range of rock music that could be absorbed by the masses. The phenomenon is explored in fun and breezy fashion by the 1978 film "FM," now available as a special edition Blu-ray from Arrow Video.

At Q-SKY Radio, Jeff Dugan (Michael Brandon) is not only a disc jockey, but also the program director. His integrity, rebellious streak and insistence on creative freedom bring him into ever-growing conflict with management, who are all about the bottom line. Dugan has a colorful lineup of jocks standing up with him, played by Eileen Brennan, Martin Mull, Cleavon Little and Alex Karras. The cast is quite winning, making the slim plot enjoyable and diverting.

Rock fans will want this film if for no other reason, than for its concert sequences. Jimmy Buffet buoyantly performs one number. More notable is the Linda Ronstadt sequences. She's at her country-rock peak. Backed by a superb band featuring guitarist Waddy Wachtel, Linda delivers searing vocals on Warren Zevon's "Poor, Poor Pitiful Me" and the Stones' "Tumbling Dice."

The hit soundtrack is definitely one of the film's big attractions and it sounds fabulous in either uncompressed stereo 2.0 PCM or 5.1 DTS - HD audio. Among the 70s superstars heard are Tom Petty (who also has a cameo), The Eagles, The Doobie Brothers, Steely Dan, Steve Miller, Bob Seger, Boz Scaggs, Boston, Billy Joel, Dan Fogelberg, Joe Walsh, James Taylor, Queen and Randy Meisner.

The special edition includes a new interview with Brandon, as well as one with the screenwriter Ezra Sacks. Also worth checking out is "The Spirit of Radio," which has critic Glenn Kenny examining the FM radio era and the movie's soundtrack.

"TRIAL & RETRIBUTION: THE COMPLETE COLLECTION"
BAFTA-winning writer Lynda La Plante created not only "Prime Suspect," but a number of other top-notch British shows, most notably "Trial & Retribution," which was launched in 1997. This incredibly intense series of mystery/thrillers will keep you riveted throughout. It's now available as a complete collection, all 12 seasons, from Acorn Media.

These dramas are intense, honest, raw, unrelenting. They take you from crime, to investigation, through trial. Split-screen shots keep viewers on their toes. Once you've begun watching "Trial & Retribution," you won't be able to stop.

David Hayman, tough as aged leather, cigarette-roughened voice, portrays no-nonsense DCS Mike Walker. Playing the detectives assisting him as he tracks down evidence are Kate Buffery (in the first six seasons) and Victoria Smurfit (in series seven through 12). Both actors are convincing and engaging.

In the opening episode of the series, Rhys Ifans ("Notting Hill") gives a bravura performance as a seedy, quirky man accused of a child rape/murder. Many other fine actors are featured over the course of the show's run, including Michael Fassbender, Carey Mulligan, Rosamund Pike, Iain Glen, Hugh Dancy, Andrew Garfield, Claire Bloom, Richard E. Grant, Julian Glover, Simon Callow and Charles Dance.

The plots are complicated enough to give the audience plenty to think about during and after the expertly written episodes. An undercurrent of suspense consistently runs through them.

This complete set offers all 22 feature-length episodes on 18 discs. Bonus features include a documentary about the series, interviews with the creator and stars, plus behind-the-scenes footage.

"WOODY GUTHRIE ALL STAR TRIBUTE CONCERT 1970"
Woody Guthrie's songs had an urgent honesty that made them timely in the 40s, 50s and 60s. They remained so in 1970. And they're still burningly relevant today. That's why this previously unreleased 1970 tribute concert is so welcome on DVD, from MVD Visual.

Guthrie sang of and for the common people. He was a folk artist/activist who railed against injustice. But he had a sense of humor to go with that unwavering social conscience. This concert breathes new life into many of his songs, performed by an all-star cast that gathered at the Hollywood Bowl. The event was a fundraiser for the California Chapter of the Committee to Combat Huntington's Disease. Guthrie died of that illness in 1967.

The lineup includes his son Arlo Guthrie, Joan Baez, Pete Seeger, Odetta, Country Joe McDonald, Richie Havens and Ramblin' Jack Elliott. Among the classic Woody tunes performed are "This Land Is Your Land," "This Train Is Bound for Glory," "Oklahoma Hills" and "So Long, It's Been Good to Know You."

Peter Fonda and Will Geer serve as amiable hosts.

The DVD contains, as a bonus, three songs not included on the PBS broadcast -- Ramblin' Jack on "1913 Massacre", Odetta singing "John Hardy" and Joan Baez with a gorgeous "Pastures of Plenty." It's a memorable concert and a fitting celebration of the life and works of one of America's greatest singer-songwriters.

"RKO CLASSIC ROMANCES" and "RKO CLASSIC ADVENTURES"
These two new Blu-ray sets from Kino Classics will delight film buffs. They're nostalgic treasure troves, drawn from the pre-Code era of the early 1930s.

"Classic Romances" serves up five delicious melodramas, featuring some of the top female talents of the time. In the 1931 weeper "Millie," Helen Twelvetrees portrays a woman who begins as a naive bride who finds out that her husband's late-night business meetings are actually trysts with floozies. Her luck doesn't improve with the men who pursue her after the divorce. When her teen daughter winds up being pawed by "Uncle" Jimmy, who's suddenly too familiar, instead of simply familial, Twelvetrees turns protective mama, ready to pull a gun on the bounder, if necessary. A young and lovely Anita Louise plays the daughter.

In "Kept Husbands," from the same year, Dorothy Mackaill, a pampered rich girl who can twist men around her little finger, sets her sights on her daddy's factory steel boss. He's a rugged former football hero (Joel McCrea). This wholesome fellow falls for her, but their marriage immediately runs into trouble, when he wants to pay his own way and she wants to maintain her ritzy lifestyle.

"The Lady Refuses" gives us Betty Compson, engaging as a woman who's so destitute, she might have to become a prostitute. Trying to elude a couple of policemen, she lands in the doorway of a wealthy older gent who becomes her benefactor. He hires her to straighten out his son, who is frittering away his talents, wasting himself on liquor and a devious woman. She is instantly thrust into the upper-crust lifestyle, complete with gowns and furs. But this girl doesn't lose her values. A case of manslaughter complicates things.

Another 1931 film, "The Woman Between," presents exotic Lili Damita as an entrepreneur married to a much older man (O.P. Heggie, best known as the lonely blind man who shelters the monster in "Frankenstein"). She unwittingly gets involved with a younger man who turns out to be her hubby's son! Lili gets a dynamite, Deitrich-like musical number in the movie.

1930's "Sin Takes a Holiday" features the elegant Constance Bennett. It isn't nearly as provocative as the title would indicate, but it makes for a strong star vehicle. Bennett plays a mousy little secretary in love with her playboy lawyer boss. He marries her to escape romantic entanglements. It's just a matter of convenience for him, but she dreams of something more than a marriage in name only. He sends her to Europe, where she is romanced by one of his dapper friends (Basil Rathbone). But the secretary still harbors affection for the boss.

"Classic Adventures" offers three newly restored 1930 films. "The Painted Desert," much of which was shot using striking Arizona locations, is a western starring Bill Boyd. He, of course, later gained fame as Hopalong Cassidy. The plot involves two friends (played by silent film stars William Farnum and J. Farrell MacDonald) who begin a long feud when they find an abandoned baby in a covered wagon and argue over who should raise the boy. The orphan grows up to be Boyd, who works on his adoptive daddy's (MacDonald) cattle ranch. The love interest, the benefactor's grown daughter, is played by Helen Twelvetrees. But the feud continues to cause complications. Besides the striking look of the movie, it's most notable as the talkie debut of Clark Gable. He plays a dangerous cowboy who's also interested in the daughter.

From the same year comes "The Pay-Off," a crime drama directed by Lowell Sherman, who also stars in the film, along with Marian Nixon. The plot depicts gentleman mobster, who has a modicum of integrity. An innocent young couple becomes entangled in the conflict between him and his power-grabbing gang mate.

In "The Silver Horde," Joel McCrea and his pal get mixed up in a fight between two rival Alaskan salmon fishing outfits. Two women battle for McCrea's affections -- Jean Arthur, his socialite fiancée, and Evelyn Brent, whose character has a dodgy past, but a heart of gold.

All of these eight films in the two sets, have been impressively restored by Lobster Films, looking and sounding far clearer than in previous incarnations.

"24 HOUR PARTY PEOPLE"
It has always been difficult to capture the spirit of rock music on film. "24 Hour Party People" is one that succeeds. It depicts the volatile period in the U.K., from the mid-70s well into the 80s. It begins when punk erupted and follows the burgeoning scene through new wave and the rave culture. Like the music itself, the film, as directed by Michael Winterbottom, is brash, loud, innovative and fun. And it's now available on Blu-ray from MVD.

The movie tells the tale of Tony Wilson (Steve Coogan), a TV personality in Manchester who attends a Sex Pistols concert and finds it to be a life-altering experience. Driven solely by his passion, oblivious to financial considerations, Wilson goes into music management, sets up a record label and opens a performance venue.

The compulsion to get the exciting new music heard enables Wilson to deal with a myriad of obstacles and all the garbage, including business collapses, gangsters, and musicians who are depressive, irresponsible or drug-crazed. Wilson embraces it all -- the excesses, the thrills, the glory, even the downfalls. The music fuels this movie, along with the inspired performance by Coogan, who maximizes all the comedy and drama of the piece.

The film is a love letter to Manchester, as well as the music spawned there by bands like Joy Division, Happy Mondays and Stone Roses. The city, even in its griminess and decay, displays a contagious vibrancy.

The great extras include an audio commentary with Coogan and the producer; an audio commentary with the real Tony Wilson; a featurette about Wilson; another featurette focusing on Manchester; plus plenty of deleted scenes.

"BLOOD"
Blood -- it's thicker. Thicker with conflict, friction, lies, hidden agendas. The love/hate relationships could explode -- or implode -- at any moment. That's what makes the Irish TV psychological thriller "Blood" so gripping. It's now available on Blu-ray from Acorn Media.

Cat Hogan (Carolina Main of "Unforgotten") returns from Dublin to her deceptively quaint hometown following the sudden death of her mother. It was a tragic accident. Or was it foul play? Cat believes there's more to this than meets the eye. And this prodigal daughter becomes increasingly convinced that her father (Adrian Dunbar of "Line of Duty"), from whom she has long been estranged, was somehow responsible. Gradually, Cat pieces together bits of evidence that seem to implicate him, raising a trace of doubt into the minds of her brother and sister, as well as her father's mistress.

From the opening episode of this mini-series, you'll be thoroughly engrossed in the mystery. Is Cat just vindictive? Could she be mad, as her father has always implied? Is he a victim of her unwarranted rage? Or could this man of medicine actually be capable of unspeakable acts?

What makes this series so spellbinding are the performances. Both Main and Dunbar dig deep into these characters, finding all the intricacies, keeping us guessing as to what is really at the root of their relationship and where they fall within the good-versus-evil spectrum.

Included on this two-disc Blu-ray set are cast and crew interviews, as well as a behind-the-scenes featurette.

"WINTER PASSING"
Playwright Adam Rapp's feature film debut as writer/director introduces us to four characters who have been emotionally battered by life. They struggle to find comfort, to keep from staring hopelessly into the void. Though they are mired in bleak personal histories, Rapp manages to leaven the serious piece with just the right measure of humor.

In the 2005 film, now available on Blu-ray from MVD Visual, Reese Holden (Zoe Deschanel), a struggling stage actor, leads a rather empty experience, indulging in drugs and meaningless sexual encounters, sabotaging potentially solid relationships.

A book editor offers Reese a large sum of money for love letters written by her father, a reclusive writer (Ed Harris). Lauded decades ago, he's now sinking in the depths of alcoholism, still reeling from the tragic death of his wife, no longer able to write anything that satisfies him. He relies on the two worshipful young people living with him (Will Ferrell and Amelia Warner).

We've seen Harris fervently portray tormented characters like this before, as in the biopic of artist Jackson Pollock. And he's heart-wrenching in this one. But others in the cast surprise here. Deschanel sheds the adorable, ditzy persona that made her the popular "New Girl" to play a self-harming, sullen young woman who doesn't feel worthy. The performance is believable and impressive.

Ferrell's work in the film is quiet and controlled, revealing the character's quirks and insecurities. It's a likable performance, which does provide a few little chuckles. He could easily have veered into a broader comedic take, one more expected from him, but that would have been destroyed the tone of the film.

Madigan (Harris' real-life wife) and Warner are also fine in support.

Rapp has created a touching drama that finds a ray of light in the darkness that has surrounded his lonely characters.

The Blu-ray contains the original theatrical trailer, plus a behind-the-scenes featurette.

'THE RUNNING MAN"
It's classy and compelling. Carol Reed's subtly suspenseful "The Running Man" rides three arresting lead performances, stunning locales and an intriguing plot, keeping audiences rapt attention throughout. The director, who also fashioned the classic "The Third Man," effectively emphasizes characterization and mood. It's now available on Blu-ray from Arrow Academy and, in this sharp new release, the lovely locations in Malaga look magnificent, as shot by Reed's cinematographer, Robert Krasker.

This "Running Man" has absolutely no relation to the 80s sci-fi flick starring Arnold Schwarzenegger. This one involves a pilot, Laurence Harvey, who feels wronged by an insurance company after his plane is destroyed. He concocts a scheme to fake his death and have his wife, Lee Remick, collect a hefty life insurance policy. Insurance investigator Alan Bates shows up unexpectedly, but quickly leaves after some cursory questions.

Harvey and Remick meet, as planned, in Spain. There Remick spots Bates. He says it's a coincidence, that he's just there on holiday. He keeps popping up. Is he suspicious? Or is he perhaps smitten with Remick? Who wouldn't be?

Harvey toys with Bates... or is it the other way around? Harvey isn't content to merely get away with fraud. He loves to live on the edge.

Harvey makes the most of this showy role. Bates has a wonderful, quiet intensity and sincerity. Remick quietly dazzles. All three intelligently capture the complexities of their roles.

Adding to the atmosphere is a fine score by William Alwyn ("The Master of Ballantrae," "Swiss Family Robinson" and Reed's "Odd Man Out"), his final film work, as a matter of fact. Ron Grainer ("Doctor Who") composed the cool title theme. Also notable are the main titles, designed by Maurice Binder, best known for his unforgettable credit sequences in 007 films.

The extras include an audio commentary, a new featurette offering interviews with crew members who knew Reed well and an audio interview with Lee Remick recorded at National Film Theatre, in which she discusses her career and many of the great artists with whom she has worked.

"HELAS POUR MOI"
Inspired by a Greek myth, "Hélas Pour Moi" is a lesser known work by innovative filmmaker Jean-Luc Godard. It's one of Godard's most abstract films and so, to some, who give it a chance, it will also be one of his most intriguing. It's just been released on Blu-ray by Kino Classics.

The slow-moving film is filled with beautiful imagery, particularly of a picturesque Swiss village. At his leisurely pace, Godard taps into the burning emotions of his characters. At the center of the piece is the relationship between Simon and Rachel, a married couple. Simon has been possessed by a god, one who wants to experience human feelings and sensations. Most importantly, this powerful being wants to know what it's like to be loved by a woman. It's the divine mingling with the earthy.

Other characters and relationships are woven, loosely, into the film. Also explored is their relationship to their pasts.

Gerard Depardieu plays Simon. He provides a magnetic presence.

The film's story is difficult to follow. And that's only one of many challenges presented by Godard. But it's worth the effort. It will make you reflect on spirituality and the many aspects of love... and desire. Godard, who drops in many references to other artistic creations he admires throughout the film, seeks to fashion something that's stimulating and demanding, both intellectually and aesthetically. Politics and philosophy color the film, often in the subtext.

Before rewatching the film, to try to better grasp its ambitious ideas, you might want to listen the Blu-ray's engrossing commentary track by film critic Samm Deighan.

CDs

BUCK OWENS -- "THE COMPLETE CAPITOL SINGLES, 1971-1975"
Buck Owens, the architect of the Bakersfield Sound, had already made a huge impact on the country scene by the mid-60s. But he continued to pump out memorable singles on the Capitol label in the 70s. And Omnivore has released the complete collection spanning 1971 to 1975. (The label had previously issued albums containing Owens' singles from the 50s and also from 1967 to 1970.)

This third set presents some great singles, as well as their B-sides. At this point, Owens was a major TV star, thanks to the success of "Hee Haw." So he was stretching out a bit musically, as evidenced by his tender take on "Bridge Over Troubled Water." "I'll Still Be Waiting for You" and "Cryin' Time" (a duet with Susan Raye) also show his softer side. "Weekend Daddy" also tugs at the heartstrings.

Owens still shows his sense of humor, however, on cuts like "Too Old to Cut the Mustard," "Wham Bam," "Big Game Hunter," "On the Cover of the Music City News" and "Monster's Holiday."

Other top tracks on this top-notch, two-disc set include one of his biggest hits of the era, "Ruby (Are You Mad"), as well as "Made in Japan," "I Love You So Much It Hurts," "The Good Old Days Are Here Again" (also with Susan Raye) and the bluegrass rouser "Heartbreak Mountain," whose depressing lyric is belied by its exuberant instrumental work. There are numerous bluegrass treats, such as the lively "Corn Likker," "Stony Mountain West Virginia," "Let the Fun Begin" and "Rollin' in My Sweet Baby's Arms."

Owens doesn't totally neglect his classic, Telecaster-fueled sound, as on "You Ain't Gonna Have Ol' Buck to Kick Around No More." He also delivers strong covers of "Love is Strange" and "The Battle of New Orleans."

By this time, not all of Owens records were racing up the charts. So this set provides a great opportunity to rediscover many of this influential performer's lesser known gems.

WILLIE NELSON - "RIDE ME BACK HOME"
Willie rides back with another disarming, appealing, reflective collection of songs, mixing originals and clever covers. His own "Stay Away From Lonely Places" is one of the highlights. The softly swinging, jazzy "Seven Year Itch," which Nelson co-wrote with his longtime producer, Buddy Cannon, is a winner, as is another of their collaborations, "One More Song to Write."

Willie works wonders with Guy Clark's meaningful, relevant "Immigrant Eyes" and uncovers all the poignancy in another Clark tune, "My Favorite Picture of You."

An unusual choice that works surprisingly well is Billy Joel's ballad "Just The Way You Are." Nelson's sons Lukas and Micah join him on another 70s selection, Mac Davis' "It's Hard to Be Humble." "Ride Me Back Home" and "Maybe I Should've Been Listening" are other top tracks.

The theme of mortality again permeates the new album. But the aging icon continues to add to his timeless body of work. Every song he sings feels like home. Keep riding, Willie!

JUDY WEXLER - CROWDED HEART"
Vivacious vocalist Judy Wexler shines a spotlight on outstanding contemporary songwriters in this luminous new jazz collection. The exciting arrangements were fashioned by the noted pianist Alan Pasqua, whose diverse credits range from working with Tony Williams and Jack DeJohnette to Ray Charles and Aretha Franklin to Bob Dylan, Santana and Elton John.

Wexler opens with a sublime samba, "Circus Life," written by Luciana Souza, Larry Klein and David Batteau. The wistful "Parisian Heartbreak" was written by Richard Galliano with elegant lyrics by Kurt Elling. "Crowded Heart" is a moving number, penned by the fabulous Danish singer/songwriter Sinne Eeg, with lyrics from her collaborator Mads Mathias. It details the end of an affair.

Gregory Porter's "Painted on Canvas" proves to be imaginative and uplifting, penned by the soul/gospel artist and delivered beautifully by Wexler. "Stars," composed by Fred Hersch, with lyrics by Norma Winstone, is a challenging number that Wexler handles expertly. She conveys all of the yearning in "The Last Goodbye," which was composed by Grammy-winning pianist Alan Broadbent, with lyrics by British singer Georgia Mancio.

Wexler imbues "Take My Breath Away," penned by singer-songwriter René Marie, with a supple sensuality. "I Took Your Hand" is a tingling love song written by Italian pianist-composer Enrico Pieranunzi, lyrics by Lorraine Feather. "It's Only Smoke" by Larry Goldings and Cliff Goldmacher is gently mesmerizing, thanks to Wexler's performance. Closing the set is tender, touching "And We Will Fly," by Alan Pasqua, Kurt Elling and Philip Edward Galdston.

Some of Southern California's top musicians play on this marvelous album. But it's Wexler's vibrant vocals, her heartfelt interpretations of these great songs, that make this record so exceptional. She exhibits a rare combination of intelligence, sensitivity and technique.

SAVOY BROWN - "CITY NIGHT"
For more than half a century Welsh guitarist-singer Kim Simmonds has been propelling Savoy Brown to the forefront of the blues-rock scene. And at 71, he's still going strong. He founded the group in 1965 and in 2019, he has just released their 40th album, "City Night." Simmonds latest edition of Savoy Brown includes a potent rhythm section -- Pat DeSalvo on bass and Garnet Grimm on drums.

The new set consists of a dozen formidable numbers, all written by Simmonds. They exude energy, grit and soulfulness. Simmonds delivers effective vocals and scorching guitar licks. Top tracks include "City Night," "Payback Time," "Wearing Thin," "Hang in Tough," "Ain't Gonna Worry" and the moody "Selfish World."

JESSE COLIN YOUNG - "DREAMERS"
Jesse Colin Young shot to stardom in the 60s with the band The Youngbloods, who registered a massive hit with "Get Together." In the ensuing decades, Young has carved out an impressive solo career and he's back with his 19th album, "Dreamers." It's filled with 14 enthralling original Americana tunes.

Young's beautiful voice is heard to spellbinding effect on songs like "They Were Dreamers," For My Sisters," "Lyme Life," "While Texas is Drowning" and "On and On." He gets bluesy on numbers like "Cast a Stone" and "Cruising at Sunset." He rocks it up on "Here Comes The Night." The closer, "Look Over Yonder," has a gospel fervor.

Whether singing ballads or the faster tunes, musing on love or politics, Young remains consistently earnest and insightful. His vocals are unerringly convincing. This is his first album in 13 years and he definitely hasn't lost his groove.

SANTANA - "AFRICA SPEAKS"
Guitar legend Carlos Santana and his pioneering band have always infused their rock music with world influences. With the great producer Rick Rubin on board, they explore African rhythms, melodies and sensibilities on their latest album. Guest Concha Buika, who's from Spain and whose parents were from Africa, adds new flavors. She has a uniquely husky, jazzy power to her voice.

They all team up to create a wide range of moods, styles and rhythmic patterns on "Africa Speaks." Santana's fluid and fiery guitar passages provide the connective thread. Woven with Buika's impassioned vocals, they surge with emotion and inventiveness.

Highlights include "Blue Skies" (on which Laura Mvula joins Buika), "Yo Me Lo Merezco," "Breaking Down the Door" and "Candombe Cumbele."

TIERNEY SUTTON BAND - "SCREENPLAY"
Tierney Sutton has long been one of our most breathtaking vocal artists. Whatever material she's exploring, she completely makes it her own. On her latest album, "ScreenPlay," Sutton immerses herself in songs from the silver screen.

With ingenious arrangements and Sutton's unique approach, some of our favorite movie tunes take on entirely new colors and textures.

"The Windmills of Your Mind" and "What Are You Doing The Rest of Your Life?" are among the loveliest performances. She gives "I've Got No Strings," from "Pinocchio," a very different and delightful feel. Its delicacy will enchant the listener. That one features guitarist Serge Merlaud. "The Sound of Silence," from "The Graduate," has a sophisticated introspection.

Sutton gets sultry and scatty on a rhythmic "Diamonds Are a Girl's Best Friend." She soars through "On a Clear Day (You Can See Forever)." "If I Only Had a Brain" takes on a cool, finger-snapping vibe with an infectious bass line. "Hopelessly Devoted to You," from "Grease," becomes a beautiful ballad, whereas Sutton jazzes up "You're The One That I Want," from the same movie. She effectively teams "Moon River" with "Calling You" from "Bagdad Cafe."

There are some less familiar, but equally captivating numbers, such as Stephen Sondheim's "Goodbye for Now," from "Reds"; "Arrow," from "Sully"; "It Might Be You" from "Tootsie" and "Ev'ry Now and Then" from the Nick Nolte-starring "Mulholland Falls," a song written by Dave Grusin and Alan and Marilyn Bergman. "How Do You Keep the Music Playing?" is another one with touching lyrics by the Bergmans, this one with melody from Michel Legrand.

Pianist Christian Jacob, drummer/percussionist Roy Brinker and bassist Kevin Axt and Trey Henry perfectly and tastefully complement Sutton's superlative vocals. Her voice projects a perfect purity and clarity of tone. Her exquisite essence coats each number like honey. It all adds up to an unforgettable album. Sutton serves up a wealth of wonderful stories in this tasty cinematic trip.

BILL EVANS - "EVANS IN ENGLAND"
Resonance Records has released, on digital and as a two-CD set, previously unreleased 1969 live tracks by the legendary jazz pianist Bill Evans. These were recorded during a residency at Ronnie Scott's Jazz Club in London. Joining Evans at the gig were two other superb musicians -- bassist Eddie Gomez and drummer Marty Morell.

The trio is at the peak of its powers here. The trio lineup that lasted longest with Evans, they display an uncanny, intuitive interaction. Of course, it's Evans' keyboard magic that's at the core of the vibrant sound. Evans is always inventive, in his interpretations, his usage of bar chords and harmonies, his rhythms, the way he gently plays with the melodies.

So even the most familiar numbers here, such as "'Round Midnight," "Who Can I Turn To," "Come Rain or Come Shine" and "What Are You Doing The Rest of Your Life?" sound completely fresh and new as Evans takes the songs to unexpected places. However surprising his directions may be, the music is constantly captivating. The wonderfully winsome waltz "Elsa" is a highlight. Among the other tantalizing tracks are "Waltz for Debby," "Goodbye," "Stella By Starlight," "My Foolish Heart" and "Polka Dots and Moonbeams."

Evans dives deep inside the tunes to find the soul of each song. Whether on ballads on uptempo numbers, he will keep listeners on the edge of their seats. Throughout the discs, he gives ample opportunity for his two terrifically talented compadres to sparkle. But it's Evans whose genius most clearly shines through.

The existence of these tapes wasn't discovered until recently. It's a major find for jazz aficionados. It's more than a rarity. It's a great artist at his finest.

BOOKS

ALL THE WAY: MY LIFE IN FOUR QUARTERS
By Joe Namath with Sean Mortimer and Don Yaeger [Little, Brown and Company]
If you're a football fan, maybe you've fantasized about inviting Joe Namath to drop by and sit down in your living room as you kick back with a cold one and listen to one of the game's most colorful, charismatic stars tell all about the highlights -- and lowlights -- of his remarkable life. That's the feeling of this entertaining new book, with its casual, frank, friendly tone and absorbing anecdotes.

It's the 50th anniversary of the Jets' 1969 upset victory over the Colts in the Super Bowl and Namath recounts the details, including the real facts behind his "guarantee" of victory. He tells of his humble beginnings and his tenacious zeal for sports. But the iconic quarterback delves into not only his grappling on the gridiron, but also his battles with the bottle. And, of course there were the medical challenges he faced, the result of crippling injuries suffered during the countless ferocious sacks.

The memoir offers keen insights into what it's actually like, being on the field, being at the epicenter of the excitement, skill and brutality. Namath transcended the sports scene, a brash playboy, a charming celebrity, having Farrah Fawcett rub Noxzema cream on his face for a TV commercial. He zoomed into the fast lane. He stirred controversy. He changed the public's perception of the game. He altered the entire landscape for pro athletes.

Finding its own comfortable structure, not relying on simple chronology, the book allows us inside the four quarters of Namath's life, culminating as a grandfather, a man at peace with himself.

A LIFE IN MOVIES: STORIES FROM 50 YEARS IN HOLLYWOOD
By Irwin Winkler [Harry N. Abrams]
Irwin Winkler has carved out an amazing career, spanning half a century. With original partner Robert Chartoff, he began on the lowest rungs of the film industry and wound up producing dozens of classic movies. His memoir presents his own unique history as a filmmaker, but also illuminates the nature of the business, both the art and the commerce.

Winkler and Chartoff started off unpromisingly with the forgettable Elvis Presley vehicle "Double Trouble," but quickly established their reputations with such memorable films as "Point Blank" and "They Shoot Horses, Don't They?" They hit the jackpot when they gave a shot to relative unknown Sylvester Stallone, capturing the Best Picture Academy Award for "Rocky." More acclaim came with "The Right Stuff."

But not everything goes right. It's not all glory. Winkler displays pride, justly so, in such films as "Believe in Me" and "True Confessions," though they never found their audience. Other projects went awry, whether because of script failures, egomaniacal directors or less definable issues. There were the pictures that were agonizing in production, "Valentino" and "Author! Author!" among them, due to personality clashes and artistic differences. Winkler includes, near the end of the book, a section of the many projects -- some of them tantalizing -- that never got made at all. The challenges of producing films is made clear, but so are the satisfactions.

Winkler persevered. He eventually expanded his repertoire to include screenwriting and directing. He built many lasting, affectionate relationships. Notable among them is a friendship with Robert De Niro, with whom he has worked on numerous films, including "New York," New York," "Raging Bull" and "Goodfellas."

In the book, Winkler serves up delectable anecdotes about such film luminaries as Barbra Streisand, Ken Russell, Peter Bogdanovich, Jane Fonda, Lee Marvin, Stallone and many more.

The book goes all the way up through "Creed" and Winkler's latest, the upcoming "The Irishman," which reunites Winkler with De Niro, Pacino, Joe Pesci and Martin Scorsese. These acclaimed artists, like the reader, must gaze at Winkler's body of work with admiration.

NO WALLS AND THE RECURRING DREAM
By Ani DiFranco [Viking]
Like her music, Ani DiFranco's memoir is distinctive, honest and inspiring. She details her remarkable journey, from a difficult, unconventional childhood, to becoming an emancipated teen and busking on the mean streets of Buffalo, to establishing one of the most important, influential and individualistic indie music careers. She set up her own label, Righteous Babe Records, and turned her back on the mainstream music industry.

DiFranco describes her intimate relationships, her inevitable business struggles and her unflagging passion for making music. For her, it's all about making a connection with a listener. She doesn't want to be a star on a pedestal. She's an uncompromising artist who doesn't shy away from speaking her mind. It's no wonder that this modern folk singer has been warmly embraced by people like Pete Seeger and Nora Guthrie. But DiFranco was also drawn to idiosyncratic artists in other genres, including Thelonious Monk. Over the course of the book, she touches on encounters -- some casual, others more significant -- with other performers, such as Maceo Parker, Utah Phillips, Bob Dylan and Prince.

Here the Grammy-winner, mother of two, delves into her perspectives on feminism, activism, the patriarchy, gender roles and social justice. Her views prove to be consistently intelligent, insightful and courageous.

She also examines her personal odyssey. As a youngster, she encountered those who helped her, mentored her, as well as those who took advantage, who used her. But every challenge, every detour only made DiFranco stronger and more independent. She didn't bend to society's rules or expectations. Nothing could dim her burning intensity and integrity.

DiFranco went from gigs at dingy clubs attended by handfuls of people to playing for tens of thousands of adoring fans at festivals. She was able to slowly, painfully make that climb, because of the rare power of her voice and songwriting. Her memoir also proves to be powerful, profound and moving.