DEJA RE-VU
Pop Culture Classics’ Recommended CDs, DVDs and Books
By Paul Freeman


DVDs

"LIONHEART"
1990's "Lionheart" proved that Jean-Claude Van Damme, king of the ring, also had a heart. And yes, the martial arts master actually could deliver a convincing performance as an actor. The action/melodrama is now available in Blu-ray as a new MVD Rewind Collection release. Van Damme deserts from the Foreign Legion, so he can help his near-death brother, the financially strapped sister-in-law and little niece. To earn big money quickly, he engages in illicit fights. At the same time, he must contend with mobsters who maimed his brother, as well as pursuers from the Legion. Van Damme is intense and believable. The supporting cast is solid, especially Lisa Pelikan as the sister-in-law, Harrison Page as the fight manager and Deborah Rennard as the beautiful, seductive, but evil promoter. The film was the first to be directed by Sheldon Lettich, who had previously penned the screenplay for another Van Damme hit, "Bloodsport." Ultimately, the film offers a satisfying blend of savagery and sentiment. The MVD Blu-ray's enhanced picture and sound add to the impact and excitement of the numerous fight scenes. The Rewind edition is loaded with great bonus features, such as several new behind-the-scenes featurettes with cast members, including Van Damme. There's also not-to-be-missed audio commentary with Lettich and Page.

"GIRLFRIENDS"
This outstanding comedy-drama features women of a certain age relying on friendship and loyalty. Though they have gone in different directions in life, they have a bond that cannot be broken. How could it not be must-watch, when it stars Miranda Richardson ("The Crying Game," "Enchanted April"), Phyllis Logan ("Downton Abbey") and the wonderfully quirky Zoe Wanamaker ("My Family," "Love Hurts")? Their characters connect, commiserate, connive, collaborate and comfort. Logan deals with the mysterious shipboard disappearance (presumed death) of her possibly shady husband. Richardson copes with her longtime significant other rejecting her for a younger version. Wanamaker cares for her ailing mum and oft-imprisoned grown son and undergoes even more suffering with her first bikini wax. It's impossible to not become quickly engrossed in the well written series from creator Kay Mellor ["Band of Gold," "Love, Lies and Records"). However, a rather shocking demise of a pet in one episode will distress animal lovers. Once viewers bounce back from that departure from the show's more amiable tone, they'll be captivated by the rest of the series. The fine actors bring out all the humor and pathos of their difficult situations. Anthony Head is excellent in the supporting role of Richardson's wayward love. The new Acorn Media six-episode, two-disc DVD release includes a couple of special features fans will love. They present cast members, as well as those behind the scenes, discussing the themes and characters, as well as real-life friendships that have formed.

"DOOM ASYLUM"
"Doom Asylum" is pure insanity -- on the screen and behind the cameras. A new Blu-Ray release from Arrow Video gives us another opportunity to enjoy the craziness. It took some wonderfully warped minds to come up with this triumphantly cheesy 1987 slasher comedy. It definitely reflects the era, in terms of hairdos, costumes and gore. The minimalist plot kicks off with a lawyer, Mitch Hansen (Michael Rogen) and his pretty client, Judy (Patty Mullen, former Penthouse Pet, later of "Frankenhooker") drunkenly careening down an isolated road, winding up in a crash. Judy is killed instantly. Mitch winds up on a morgue slab. As he's being mutilated by the inept coroner and an assistant, he awakens. He's not dead, but the two attendants soon are. And so the mayhem begins. The lawyer's love for Judy's rotting corpse is undying. Cut to eight years later. Judy's daughter (also played by Mullen) is on a rowdy road trip with her significant other and three friends. One of them, the brainiest of these brainless, deliberately stereotypical characters, is played by Kristin Davis, who later found fame on "Sex and the City." She gets to prance around in a bathing suit for much of the picture. After picnicking, they stumble upon the now abandoned asylum where Mitch still preys. Inexplicably, the grounds are also being used as rehearsal space for a raunchy, nasty all-girl punk/metal band fronted by tough Tina (played with brassy bluster by Ruth Collins). So our disfigured and deeply disturbed killer has plenty of fresh meat. He dispatches them one by one. And, considering the ultra-low budget, the effects are effectively gruesome. There's blood galore. But the movie is more interested in laughs than suspense. And there are plenty of chuckles here. There are abundant gags, none of the subtle variety. The killer has a Freddy Krueger-like, wisecracking sense of humor. To pad the running time, the filmmakers intercut black-and-white footage from five different Todd Slaughter flicks, which our slasher apparently enjoys immensely. And of course, there's a bit of nudity. After all, some of the filmmakers got their starts in the adult film industry. Genre fans will be amused by the merry madness that takes place in this madhouse. The new Arrow release offers many fun extras, including a new commentary with screenwriter Rick Marx and terrific interviews with Collins, director of photography Larry Revene and special makeup effects man Vincent J. Guastini, who studied under the legendary Dick Smith. There are also archival interviews with director Richard Friedman, plus a producer and production manager.

"NO OFFENCE"
If you think you've seen every possible permutation of police procedural, you're mistaken. "No Offence" will surprise and delight you. Now available on DVD from Acorn Media, the cheeky British series brims with a fresh irreverence. Created by writer Paul Abbott (the original U.K. "Shameless" and "State of Play"), it's hard-hitting and graphic, but also crackling with smart humor. Two strong, memorable female cops take center stage here. Joanna Scanlon ("Death Comes to Pemberley," "Notes on a Scandal," "The Thick of It"), is a powerhouse as the uninhibited, unyielding DI Vivienne Deering. Elaine Cassidy ("Acceptable Risk," "The Paradise,") imbues the role of DC Dinah Kowalska with earnestness, integrity and perseverance. In series one, the over-worked, Manchester-based squad hunts a serial killer targeting girls with Down's syndrome. Cassidy and Scanlon are consistently compelling in their multi-dimensional portrayals. Each episode is riveting, darkly funny and packed with jarringly unexpected developments. The entire cast is top-notch. Supporting ensemble members include Alexandra Roach ("The Iron Lady"), Paul Ritter ("Lovesick") and Will Mellor ("Broadchurch"). Acorn's three-DVD set includes deleted scenes and disarming moments with the cop show's cast and crew.

"GRAVITY FALLS: THE COMPLETE SERIES"
Now is the perfect time to revisit the wonderfully eccentric "Gravity Falls," as Shout! Factory has released the complete animated series in a Blu-ray collector's edition box set (also available on DVD). Dipper Pines and his twin sister Mabel are dispatched to the tiny town of Gravity Falls, Oregon to spend summer vacation with their great uncle -- call "Grunkle Stan." In this odd village, they run into mysteries and weird creatures. Like "The Simpson," this is an irreverent show with quirky humor and a unique flavor, making it appealing to both kids and grown-ups. The voice cast is exceptional. Jason Ritter and Kristen Schaal star, putting plenty of personality in their characters' dialogue. You'll also probably recognize the vocal talents of Nick Offerman, Stephen Root, Will Forte, Jennifer Coolidge, T.J. Miller, Nathan Fillion, J.K, Simmons and Neil deGrasse Tyson in various episodes. All 40 episodes are here on seven Blu-ray Discs. The colorful rshanimation looks fabulous. And the sound is also impressive, either in 5.1 or 2.0 DTS-HD Master Audio format. The many bonus features will thrill fans of the show. They include fascinating deleted scenes, so you can get a look at segments that were being developed but didn't come to fruition. Series creator Alex Hirsh, a witty, imaginative fellow, contributes to the optional audio commentaries, as do cast and crew members. If you didn't fall for "Gravity" during its original Disney Channel run, you'll definitely be smitten, when you experience it on Blu-ray.

"WINDRIDER"
This 1986 Australian romantic comedy is most remembered for presenting Nicole Kidman's first nude scenes (brief and tasteful). She was only 17 at the time and had a wholesome image. But this movie actually has a lot more to offer. It's a breezily entertaining movie with appealing young stars. A new MVD Rewind Collection release gives viewers a chance to enjoy not only the humor and relationship aspects, but the striking scenery of the sports scenes. The Australian backdrop looks spectacular in the new high-definition remaster. Tom Burlinson ("Phar Lap," "The Man From Snowy River") stars as P.C. Simpson, a lad from a privileged background who is an avid windsurfer. He has developed a high tech board for the upcoming championships, but when he's besotted with pop singer Jade (Kidman), life becomes more complicated. The two display a cute chemistry. Kidman, slim, radiant and sporting an explosion of red curls, displays a vivacious charm. Unfortunately, she lip-synched, as her singing was apparently dubbed. That's odd, as Kidman has often demonstrated a fabulous singing voice in the years since, most notably in "Moulin Rouge." Burlinson is winning, as well. The movie offers plenty of lightweight fun. And the sports action is eye-popping. The many bonus features on the MVD Rewind release includes an extended bedroom scene, a windsurfing promo and an audio commentary track with director Vince Monton and writer Everett De Roche.

"24x36"
Anyone who collects or is intrigued by movie posters will be enthralled by Kevin Burke's documentary, now available on DVD. The first portion of the film pays tribute to the incredible artists whose magnificent work, usually uncredited, helped to promote movies. Among the great illustrators discussed here are Bob Peak, Richard Amsel and John Alvin. You'll hear wonderful anecdotes about the creation of posters for such film favorites as "Raiders of the Lost Ark" and "Star Wars," as well as some older classics. These types of posters seemed to become a lost art, when the 90s brought the advent of photo-realistic movie posters, pushing giant images of the stars' faces. The documentary then moves into an exploration of the phenomenon of newly illustrated, collectible posters for classic films. Thus the title -- the usual size of these posters, as opposed to the standard 27x41, 22x28 or 14x36 for vintage displays used in movie theatres. The MVD disc includes 30 minutes of bonus interview footage.

CDs

"GENE CLARK SINGS FOR YOU"
After taking flight from The Byrds, Gene Clark embarked on a solo career that brought little commercial success, but wondrous artistic brilliance. With poetic lyrics, gorgeous melodies and a voice that could break your heart, he nimbly traveled the paths of country, folk and rock. In the end, his music defied categorization. It was simply beautiful and compelling. Omnivore Recordings has released the long sought-after 1967 songwriting demos, which were discovered on a rare acetate in the vaults of Liberty Records. Grammy-winning engineer Michael Graves has lovingly restored the masters, allowing fans to appreciate these great songs as if they were in the studio with Clark. Most of the tracks have fairly sparse instrumentation -- guitar (mostly acoustic), simple bass, rock drumming (which sometimes is a little too prominent), with a bit of keyboards and even unobtrusive sounds of strings. This allows Clark's inspired, sensitive songwriting and emotion-drenched vocals to remain rightly in the spotlight. He had already evolved rather dramatically -- lyrically, structurally and melodically -- from his stint with The Byrds. He'll drop in a sudden chord change that surprises, yet works perfectly. Even the most complex compositions, however, are eminently accessible. Among the most memorable are "On Her Own," "One Way Road," the ballad "Yesterday, Am I Right" and the rocking "Past Tense." The verse of "Past My Door" brings to mind the dramatic feel of Clark's first non-Byrds single, the epic "Echoes." "That's Alright By Me" is another powerful number. There's an endearingly off-beat quality to "Down On The Pier." In addition to the eight "Gene Clark Sings For You" recordings, the new release contains additional tracks from a demo acetate Clark gave to a folk-rock band called The Rose Garden, hoping they would record them. "On 10th Street," "Understand Me" and the gently driving "A Long Time" enthrall. "Big City Girl" takes Clark down a bluesy road. With its ringing guitars and electric guitars, "Doctor Doctor" could easily be imagined as a circa-1967 Byrds tune. The album closes with one of the best tracks, "Till Today." Clark sings this pretty song poignantly. It's one that eventually found its way onto The Rose Garden's one and only album, self-titled. Aficionados will also appreciate the booklet with extensive, informative liner notes by Clark biographer Jon Einarson. Clark passed in 1991, at age 46. But his music sounds as fresh, exciting and profound as ever. And it continues to influence countless artists.

GALEN AYERS - "MONUMENT"
Music is in her genes. Galen Ayers is the daughter of British psychedelic rock pioneer Keven Ayers, who co-founded The Soft Machine. But Galen is carving out her own musical identity and it favors delicate, delectable folk-pop. Her sweet, sympathetic voice is completely disarming. She wrote the songs for "Monument" on Hydra, the Greek island, following her father's passing. So there's an air of sadness that segues into hope and revitalization. "Run Baby Run" is fueled by a flamenco feel, spiced up by a twangy lead guitar line. A haunting yearning imbues "Into The Sea (Calm Down)." "Duet" deals with relationship challenges. "U-Turn" is another irresistible number. Other top tracks, all extraordinarily pretty, include "Morning Song," "Collide," "Melancoholic," "Ain't the Way" and "You Choose." Beauty eases the pain of the dreamy title track, which closes this intimate, impressive album.

TRUDY LYNN - "BLUES KEEP KNOCKIN'"
The power of the blues explodes forth on Trudy Lynn's new album. "Blues Keep Knockin'" keeps rockin', rollin' and boogyin'. The six-time Blues Music Award nominee takes tunes associated with such artists as Aretha Franklin, Etta James, Big Maybelle and Big Bill Broonzy and makes them her own. Highlights include such rousing numbers as "Blues Ain't Nothin'," "One Monkey Don't Stop No Show," "It Won't Be Long," "That's Alright" and the title track, a Lynn original composition. Hoyt Axton's "Never Been to Spain," a Three Dog Night hit, takes a soul-searing trip guided by Ms. Lynn. "When I Been Drinkin'" intoxicates. "I Sing The Blues" could be Lynn's theme song. She sings the hell out of it. Gut-wrenching pain pours forth in her vocal for "Pitiful." A forceful R&B feeling makes "Would It Make Any Difference to You" a moving experience. Her earthy, vigorous voice will rivet listeners. Backed by a first-rate band, Lynn makes a lasting impression with this spirited new album.

KIRA WILLEY - "EVERY VOICE"
Appealing vocals, charming instrumentation, infectious rhythms and well-crafted songs make the new Kira Willey album a delight for all ages. An award-winning songwriter, author and kids yoga expert, Willey presents diverse music that will inspire, as well as entertain. "Brand New Day" is the first track, a gentle, shiny, pure pop pleasure. The energetic title track is upbeat and anthemic. Willey's work is welcoming and encouraging, as with "Come On In." "Home" is buoyantly comforting. "Real Girl" implores listeners to be themselves. "Hello Hope" is one of the loveliest numbers. "Dream It Up," an imagination celebration, brings smiles with its ukuleles and guest appearance by Laurie Berkner. Positive messages continue with "The Leader in Me" and the caring and sharing of "Community." Production and arrangements are strong throughout and the relatable tunes will have young listeners singing along. After the excitement of the album, parents will appreciate the fact that their youngsters can take a breath and relax a bit with the calming, pretty "Kindness Mantra" that closes this wonderful, uplifting album.

GUADALCANAL DIARY - "AT YOUR BIRTHDAY PARTY" (LIVE)
Omnivore Recordings' new release of Guadalcanal Diary's 1999 live album "At Your Birthday Party" is definitely cause for celebration. Though not widely known, these musicians from Marietta, Georgia, gelled into one of the truly great groups of the 80s. Their alternative jangle pop had a bit of a punk edge. Sometimes they recalled the psychedelic, "So You Wanna Be a Rock 'n' Roll Star"-era Byrds. At other times, their raw power brought to mind The Smithereens. They displayed the high-energy appeal of The Rubinoos. And Diary had the idiosyncratic originality of another band to hail from the Peach State -- R.E.M. Diary was propelled by grabbing guitar riffs, urgent vocals and strong, hooky songwriting. the band reassembled in the late 90s and recorded these great, driving tracks at an Atlanta bar. Drawn from all four of the group's Elektra albums, top tunes here include "Trail of Tears," "Pretty Is As Pretty Does," "The Likes of You," "Newborn," "Say Please" and a wild "Watusi Rodeo." This is a band worthy of rediscovery.

GRUFF RHYS - "BABELSBERG"
Every album Gruff Rhys creates, whether it's a solo work or a collaborative effort with Super Furry Animals, is an inventive, exciting departure from what came before. That's certainly true of "Babelsberg." 2014's "American Interior" documented the Welsh singer-songwriter's personal journey, a search for roots. The new album broadens his palette, in terms of themes and musical scope. Each track establishes its own distinctive musical style. And while retro influences add flavor, the record benefits from a bold, bracing modernity. Lyrically, Rhys is a voice of sanity in a mad, mad world. While never pontificating, he perceptively and honestly presents socio-political commentary. There are welcome touches of wit and whimsy -- Rhys has a wonderful way with words -- but a knowing sadness also inhabits the album. Musically, Rhys' genius has never been more evident. To fulfill his vision, he has employed the 72-piece BBC National Orchestra of Wales. Musically, the first two tracks, the lushly cool "Frontier Man" and "The Club" call to mind Serge Gainsbourg at his most dramatic. Then Rhys bursts into the surging rock of "Oh Dear!" There's a vintage dance vibe to "Limited Edition Heart," whose bright, bouncy sounds are juxtaposed against a darker, dystopian future story. That sort of contrast is an intriguing thread in this album. On this song, Rhys sings, "Military takeover at night... We'll go into hiding and keep the light shining... Lasers at the centre of pain... Hovercrafting under the overlords, touché." On "Take That Call," there's a McCartney-esque entwining of jauntiness and poignancy. "Drones in the City" hypnotizes. A winsome quality propels "Negative Vibes." "Same Old Song" charms. As "Architecture of Amnesia" marches along, Rhys sings, "Scare the people with hysteria... Architecture of amnesia... It's a battle monumental." The captivating closer, "Selfies in the Sunset," sees Rhys and his duet partner, Lily Cole, pulling out a phone to document the approaching, apocalyptic mushroom clouds, with a backdrop that's blazing red. Now that's a photo opportunity! And, on the bright side, the song points out, "Everyone is equal in the valley of the dead." Subtly woven into the album's fabric are passing mentions of fascism, weaponry, greed, bigotry, Isolationism and dangers of technology. As our Tower of Babel society collapses around our ears, at least we have Rhys' majestic music to comfort us.

THE SWINGING CHADS - "BRINGING THE HEAT"
Patience pays off. The exceptional Northern California country-rock band formed in 2010 and became a hard-working, much-in-demand touring act. They released their debut album in 2015. But it wasn't until this year that The Swinging Chads broke through big-time, climbing to the top of the Americana charts with the irresistible, R&B-inflected, Southern rock-style tune "Melissa." It packs a powerful emotional urgency. Now they're really bringing the heat with this new album, which includes that hit, as well as many other instantly grabbing tunes, such as"Undercover Hippie Girl," "Sanctuary," "We're Going to Be Free," "State of Want," "Blue Sunshine" and "Night Dance." The album features vocalist/guitarist Norman Collins and vocalist/bassist/keyboardist Randall McGowan (the two main songwriters), as well as guitarist Stephen Sea and drummer Ken Ingels. The band generates an energetic blend of soulful rock and country. And they have earned all the success they're currently enjoying.

DENNY BERTHIAUME - "MUSIC OF THE NIGHT"
The marvelous Bay Area pianist/arranger Denny Berthiaume returns with another fine solo album, "Music of the Night." No further accompaniment is needed as Berthiaume's sensitive, skilled touch on the keys brings out rich, full, evocative interpretations of tunes from the Great American Songbook. There are several outstanding Gershwin numbers -- "Summertime," "But Not For Me" and "They Can't Take That Away from Me." Berthiaume captures the sophistication of Cole Porter's "Night and Day" and "Love for Sale." A rendition of Andrew Lloyd Webber's "Music of the Night" builds drama. Berthiaume offers a lush, lovely take on Henry Mancini's "Moon River." Other enticing performances include "Give Me The Simple Life," "My Prayer" and the classic "As Time Goes By." Berthiaume brings his own pianistic perspective to Simon & Garfunkel's "Bridge Over Troubled Water." A hauntingly beautiful version of Leonard Bernstein's "Maria," from "West Side Story," closes this excellent album.

DAAN KLEIJN - "PASSAGES"
Born in Holland and based in New York City, Daan Kleijn is a jazz guitarist of rare taste and technique. His timeless style is elegant and eloquent, fluid and flawless. Perfectly complemented by impeccable and imaginative bass (Tobias Nijboer) and drums (Joost van Schaik), Kleijn beautifully breezes through a fine selection of tunes that includes several of his originals that definitely hold their own amidst the creations of the classic songwriters represented here. His rendition of Antonio Carlos Jobim's "Estrada Branca" will transport listeners. He gently, coolly swings on Bobby Hutcherson's "Isn't This My Sound Around Me." Kleijn's interpretation of the Rodgers & Hart standard "Where or When" is wistfully exquisite. And his own compositions, "Bird Song" and "Humble Bee" are equally impressive. The whole album is a tantalizing trip.

RORY BLOCK - "A WOMAN'S SOUL: A TRIBUTE TO BESSIE SMITH"
One of greatest contemporary acoustic blues artists, guitarist-vocalist Rory Block has paid tribute to many greats, including Skip James, John Hurt, Mississippi Fred McDowall, Bukka White and Rev. Gary Davis. Having her fashion an homage to a female legend -- Bessie Smith, "The Empress of the Blues" -- was a natural move for Block. It's a Stony Plains Records release. Her vibrant vocals due justice to the legend, injecting ample fire, soul and grit into each performance. Block delivers all the spice in the clever, erotically euphemistic "Kitchen Man." She's seductive and sassy on tunes like "Need a Little in My Bowl" and Block puts some gospel fervor into a rousing "On Revival Day." Other powerful tracks include "Black Mountain," "Weeping Willow Blues," "I'm Down in the Dumps" and "Empty Bed Blues." Block's slide guitar throughout is just as impressive as her voice. She has added the bass and percussion parts, as well as the guitars. The artist, a five-time Blues Music Award winner, honors tradition and builds upon it. This Bessie tribute is a great kickoff to Block's "Power Women of the Blues" series.

WHITNEY SHAY - "A WOMAN RULES THE WORLD"
Whitney Shay has been performing since she was a toddler, so it shouldn't be surprising that she has such a confident, commanding vocal presence. The two-time winner of the San Diego Music Award Best Blues Artist deserves widespread recognition and the release of "A Woman Rules The World," her first album in six years, could generate such acclaim. These are songs reflecting the stance of a strong, no-nonsense woman. Shay soul-stirring vocals prove she's a peerless powerhouse. She can rock it up or create pulsating rhythm & blues. She can sizzle and soar. Many lyrics are provocative, some tongue-in-cheek. Shay co-wrote many of the exhilarating songs here, including "Ain't No Weak Woman," "Don't You Fool Me No More," and the slow and soulful "Empty Hand." She brings passion and pride to the meaningful title track, "A Woman Rules The World," which Denise LaSalle penned. Shay puts plenty of sass into Jimmy McCracklin's "Check Me Out." "Get It When I Want It" is another highlight. And Shay whoops it up to tremendous effect on two terrific Little Richard tunes -- "Freedom Blues" and "Get Down With It." On this impressive record, backed by hot, horn-infused instrumentation, Shay's vocals are nothing short of electrifying.

MARTY ELKINS - "FAT DADDY"
There's a captivating richness and fluidity to Marty Elkins' vocal style. Her marvelous melding of jazz and blues has a classic feel, yet her performances here are fabulously fresh-sounding. As an opener, Elkins softly swings on "You Turned the Tables on Me." "On Revival Day," with its spiritual fervor, will have you clapping your hands joyously. Elkins sings saucily on "It's Too Hot for Words." She takes no prisoners with Fats Waller's "How Can You Face Me." Elkins contributes colossal cool to "Cow Cow Boogie" and the title track. She takes flight with romantic breeziness on "It's a Pity to Say Goodnight" and "Sugar." Perhaps best of all are Elkins' excursions into torchy territory, as she pours her heart and soul into such numbers as "That's All There Is to That," "I Cover the Waterfront" and "I Can't Face The Music." Her rendition of "These Foolish Things" is another highlight. "Trav'lin' All Alone" is associated with Billie Holiday, but like the other songs on this record, Elkins manages to add her own distinctive, delicious imprint. Complemented by impeccable arrangements and instrumentation, the album is a vocal tour de force. Nestle yourself into a comfy space, cocktail in hand, and have yourself an intimate, little Marty party.

MARION RAMPAL, QUATUOR MANFRED & RAPHAËL IMBERT - "BYE-BYE BERLIN"
Another time, another place, a hauntingly beautiful musical experience. This new Harmonia Mundi release takes listeners back to fertile, foreboding, forbidden, fiercely creative Berlin of the 1920s. An era of Weimar wonders. The works of such composers as Kurt Weill, Hanns Eisler and Friedrich Hollaender enthrall and excite in these spellbinding new interpretations. These aren't museum pieces by any means. The tracks are all vibrant and relevant. The velvety vocals of Marion Rampal will reach deep within your soul, stirring a range of profound emotions. Her extraordinarily expressive voice is complemented perfectly by the intense, yet nuanced explorations of the Quatuor Manfred string quartet and the saxophones and bass clarinet of Raphaël Imbert. This album will tantalize and transport you.

THE DAVENPORTS - "DON'T BE MAD AT ME"
The Davenports, with front man Scott Klass at the helm, have been producing pleasing power-pop for 18 years now. Their latest shows that the Brooklyn-based indie band is still at the top of their game. Terrific songs, brilliantly arranged and energetically performed, make this album a winner. Intelligent lyrics delve into life and a various forms of relationships. The album opens with Klass reminiscing in a touching piano ballad. The impossibly catchy rocker "I Don't Know What to Do" follows. The album bounces along with numerous other hooky, perfectly crafted songs, including "Leanne," "With Me or Against Me" and the heady "Freedom." Shirley Simms of Magnetic Fields sings on the country-ish "Miranda in Her Room." The title track is another highlight. The moving, exquisite "To The End" is the apt conclusion to a very satisfying album.

PHILHARMONIA ORCHESTRA & PABLO HERAS-CASADO - "DEBUSSY: LA MER, LE MARTYRE DE SAINT SEBASTIEN"
Marking the Debussy centenary celebrations (it's been 100 years since his passing), Harmonia Mundi honors the composer with this sumptuous new release. Conductor Pablo Heras-Casado is in full command of both the material and the Philharmonia Orchestra. They fully understand the importance of dynamics in these compositions, ranging from the most delicate shadings to incredibly dramatic passages, reflecting the forces of nature. "Prélude à l’Après-midi d’un Faune" is subtly breathtaking in its finespun, reflective passages. The woodwinds are key to painting the pastel beauty. The strings add hints of tension in the less often heard "Le Martyre De Saint Sebastien." Heras-Casado heightens the moments of drama in these segments and establishes their many moods. The orchestra captures the awe-inspiring, glorious majesty of the sea in Debussy's superb symphonic sketch "La Mer." The performance ripples, shimmers and surges in a spellbinding manner. A stunning recording.

PURPLE FOX AND THE HEEBIE JEEBIES - "THE SOMETHING OF LOVE"
With Josh Friedman as colorful frontman, the Silicon Valley-based band continues to make music that families will love. The group's previous album showcased horn-driven funk. This new one has a joyful reggae vibe. There are pleasing vocals, funky bass lines, brassy horns and pleasing vocals. It opens with the catchy "Perfect Day," getting things off to a perfect start. The finger-popping fun continues with "We Got It (Our Time Together)." "Forever Everyday" sunnily sings of friendship. "The Something of Love" is a beautiful, radiant ballad. "Thank You" is an expression of gratitude. "You're Welcome in My House" is a playful, pretty and inviting tune. "Sharing Is Caring" projects the band's positive themes. Among the other top tracks are "Please (I Don't Want to Harsh Your Mellow)," "Sorry," "S'Alright" and "I Love You, Infinity (For the Possibilities)." Purple Fox and the Heebie Jeebies provide important, character-building messages, while making music that is thoroughly enjoyable. This album is a leap forward for the band.

JANE ANTONIA CORNISH - "CONSTELLATIONS"
Jane Antonia Cornish's "Constellations" will transport you to other worlds. Raised in England, based in New York City, the first woman to win a BAFTA award for music creates a new sonic cosmos with this mesmerizing work. She is an acclaimed film composer. Here, utilizing piano, strings and electronics, Cornish needs no visuals to take us on a magical journey. Bridging the worlds of contemporary classical and ambient, her resonant music stirs infinite images in the mind. Simple, contemplative piano opens the first track, "Constellations I," before the piece adds swirling, sparkling electronic enhancements that weave an immersive experience. Close your eyes, take a deep breath, reflect and allow the lush, lovely sounds of "Lux" to wash over you. As the strings swell in "Beyond the Skies," a feeling of awe blossoms. "Wave Cycles" ripples with a calming flow. With "Constellations II," our trek is complete. But the perfectly chosen notes and sounds linger. Cornish's compositions are remarkably evocative and moving. Untethered, earthly concerns left far behind, you'll be filled by a sense of wonder as you listen to this hauntingly beautiful album. Cornish's delicate, elegant, emotionally satisfying exploration will bring you peace and tranquility. It will set you free.

JENNIFER LEE & THE EVER-EXPANDING UNIVERSE - "MY SHINING HOUR"
The lovely Bay Area singer Jennifer Lee kicks off her new album with the Harold Arlen/Johnny Mercer tune "My Shining Hour." It's appropriate, because this is indeed the shining hour for this artist. In addition to showcasing her crystalline voice, the record displays her songwriting talent. Jennifer Lee wrote 11 of the 13 finely crafted songs here. Her melodies, with their pop, jazz and Brazilian elements, entrance. And the lyrics display wit and wisdom. Among the top numbers are the tasty, frolicsome "Crammin' Crepes with Cathy at the Cock-a-Doodle Cafe," the magnetic "Go in Peace," a warm "Home" and the wonderfully winsome ballad "Speak Your Love." "Summertime in October" vividly conjures up vivid images and emotions. Jennifer Lee's vocal on the lilting "Song of Sandra" is both tantalizing and tender. The sincere and personal "Invitation" and "Love That's Real" are transformational experiences. "Song of Happy," the one other song she didn't pen, was written by Abel Zarate, the guitarist who co-wrote the Malo smash "Suavecito." The silkily swinging "What You See Is What You Get" is the finishing touch on this polished, pleasing album. Jennifer Lee is backed by a number of gifted musicians, including vocalist Carey Williams, flugelhorn player Randy Brecker, violinist Mads Tolling and guitarist Peter Sprague. But it's Jennifer Lee's spotlight and, with her sublime, expressive voice she holds it beautifully.

MARCIA BALL - "SHINE BRIGHT"
Born in Texas and raised in Louisiana, Marcia Ball has been named the official 2018 Texas State Musician. And this lone star lady is definitely shining bright with her fantastic new album, dynamically produced by Steve Berlin (Los Lobos). As both a pianist and a singer, Ball is an extraordinary artist. Her fun new album mixes boogie, blues and ballads, to great effect. There are flavors not only of Texas, but also New Orleans and the Gulf Coast. "Life of the Party" even boasts a calypso beat. The title track invites listeners to step into the light and enjoy life. She pounds the keys like Jerry Lee Lewis on the rollicking "Too Much For Me." "Take a Little Louisiana" surges enthusiastically. "When The Mardi Gras Is Over" is another exuberant number. Ball's soulful vocal on "What Would I Do Without You" has a spiritual zeal. Backed by female vocalists and horns, Ball makes "Once in a Lifetime Thing" something you'll want to listen to over and over again. Ball maximizes the impact of the clever lyrics in "Pots and Pans." The powerful ballad "World Full of Love" brims with an optimistic vision of what's possible. Ball's version of blues bounces in the upbeat, positive direction. She's marking her 50th year as professional musician. And that adds to this album's celebratory quality. Your spirits will definitely rise upon hearing it.

RAFFI - "DOG ON THE FLOOR"
The arrival of his new puppy, Luna, is all the inspiration needed for a new album from children's music icon Raffi. Kids will delight in such canine-centric tunes as "Luna's Song," "Walkin' My Dog" and "Dog on the Floor." Things take an equine turn with "Listen to the Horses." Raffi's positivity uplifts young listeners on numbers like "Love Grows Love" and "It Takes a Village," which benefits from a gentle reggae beat. Among the other highlights, beautiful in their simplicity, are "Play Play Play," "Take a Breath," "Market Day," a colorful "Rainbow" and the lovely "Dragonfly." When he performs traditional tunes, Raffi enhances them with his own personality. He shines on a pretty version of George Harrison's "Here Comes The Sun." He can even bring a fresh feeling to "Mary Had a Little Lamb." Ignoring the kindie rock craze in the toddler set, Raffi brings a folkie charm to the children's music, often embellished unobtrusively with a country flavor. Even at age 70, Raffi's sincerity can warm the hearts of new generations.

HATS OFF GENTLEMEN IT'S ADEQUATE - "BROKEN BUT STILL STANDING"
The best prog rock takes the listener on an adventure. And that's exactly what you get with "Broken But Still Standing," the latest ambitious work from London-based Hats Off Gentlemen It's Adequate. Malcolm Galloway (singer/guitarist/songwriter) and his mates expand the parameters of their prog with elements of classical, electronica and metal. The science-fiction concept album deals with the role of symbiosis in evolution, from the very beginning to our future interactions with AIs. Among the outstanding tracks are "Last Man on the Moon," "One Day When," "I Fell in Love with a Mechanical Dragon," "All Alone Together," "Under The Skin" and "Transient Stars." They encompass many moods and styles. Spellbinding vocals, wrapped in evocative instrumentation, convey the thought-provoking themes. It adds up to an absorbing, always intriguing work.

BOOKS

THE GIRL ON THE BALCONY: OLIVIA HUSSEY FINDS LIFE AFTER ROMEO & JULIET
By Olivia Hussey with Alexander Martin [Kensington Books]
She was the exquisite picture of youthful innocence and romance. And the whole world fell in love with Olivia Hussey, when she starred in Franco Zeffirelli's sumptuous 1968 film interpretation of Shakespeare's "Romeo and Juliet." Though she didn't meet a tragic fate like that character, Hussey did have to battle her way through a myriad of daunting career and life challenges. She relates all of her remarkable experiences in this autobiography, written with the help of her son, Alexander Martin. Hussey takes us through her family's struggles, as she grew up in Argentina and London. As a teen, she captured the role of Juliet, as well as the hearts of moviegoers. She goes into great detail about the making of the film, crediting Zeffirelli (who wrote the book's foreword) for guiding her to a great, radiant performance. Everything looked bright, and she immersed herself in the 60s swinging London scene. But Hussey didn't map out her career with care and missed out on many exciting opportunities. Insecurities shadowed her. And there were missteps in her personal life. A nightmarish, abusive relationship with another rising star, Christopher Jones (who practically destroyed another vulnerable actress, his wife, Susan Strasberg) could have shattered Hussey permanently. But she found reserves of inner strength and resilience. She has had to overcome bankruptcy, agoraphobia and stage-four breast cancer. It's all here -- the traumas, triumphs and tragedies, as well as her amorous liasons, lovely and otherwise. Hussey married three times, first to actor/pop idol/athlete Dino Martin, Dean's charismatic, ill-fated son. And she rubbed shoulders with Hollywood royalty. She describes in detail her spiritual quest, which helped to sustain her. Motherhood enriched her life. And, on screen, she admirably portrayed two of the most cherished mothers of all time -- Mother Teresa (in "Mother Teresa of Calcutta") and the Blessed Virgin Mary, mother of Jesus, (in Zeffirelli's mini-series "Jesus of Nazareth"). Other memorable film roles included the cult horror "Black Christmas," the all-star "Death on the Nile" and the musical version of "Lost Horizon," (an interesting box office flop with Burt Bacharach-Hal David songs). Along the way, Hussey offers fascinating tidbits about her encounters or friendships with such luminaries as Paul McCartney, Leonard Whiting (her Romeo), composer Nino Rota, Frank Sinatra, Desi Arnaz, Lucille Ball, Liza Minnelli, Christopher Reeve, Elizabeth Taylor, Laurence Olivier, Robert Mitchum and even a brief, chilling brush with Sharon Tate. Throughout this ultimately uplifting autobiography, Hussey's warmth and humanity shine through.

THE ESSTENTIAL JAMES GARNER
By Stephen H. Ryan and Paul J. Ryan [Rowman & Littlefield]
With his peerless on-screen likability and charm, James Garner became a TV icon. Most fondly remembered for "Maverick" and "The Rockford Files," his five-decade career included a surprisingly diverse collection of memorable performances. He could convincingly play roles far removed from the con men and detectives he made part of our pop culture. This new book offers a detailed and enjoyable look at Garner's entire body of work. Of course, as in every star's career, not every project was successful, artistically or commercially. The authors focus on the best of Garner -- 28 films (including TV movies) and three series. His outstanding feature films include "Great Escape," "Americanization of Emily," "Support Your Local Sheriff," "Skin Game," "Children's Hour," "Marlowe," "Victor/Victoria" and "Murphy's Romance." Made-for-TV highlights include "Promise," "Heartsounds" and "My Name is Bill W." The book presents summary, background, reception and commentary, as well as DVD availability, for each entry. For the series -- "Maverick," "Rockford" and the delightfully offbeat "Nichols" -- the authors give readers episode guides, as well as subjective quality ratings for each episode. At the end, there's also a complete Garner filmography. You'll come away with a greater appreciation for the talent and commitment of the beloved actor.