DEJA RE-VU
Pop Culture Classics’ Recommended CDs, DVDs and Books
By Paul Freeman


DVDs

"LINDA RONSTADT: THE SOUND OF MY VOICE"
The sound of her voice -- it's heavenly. This extraordinary documentary from Oscar-winning co-directors Rob Epstein and Jeffrey Friedman ("The Times of Harvey Milk," "Common Threads: Stories from the Quilt," "End Game," "Howl," "Lovelace"), like Ronstadt's vocalizing, is both exhilarating and deeply moving. It's now available on Blu-ray courtesy of Greenwich Entertainment/Kino Lorber.

When she sang, Ronstadt could rock your world. She could thrill you. She could break your heart. Her range, dynamics and musical diversity contributed to her stunning effect. Her voice would sound soft and sweet one moment, incredibly strong and penetrating the next.

In the documentary, you'll hear her glorious performances on such songs as "Heart Like a Wheel," "Long, Long Time," "Different Drum," "Blue Bayou," "You're No Good," "When Will I Be Loved," "Tumbling Dice," "Rescue Me," "Desperado," and "Poor, Poor Pitiful Me." Her musical fire burned with a rare intensity.

But most importantly, the film illustrates the purity of Ronstadt's artistry. She achieved rock superstardom, racked up a string of platinum albums and Grammy Awards, packed arenas with adoring fans. But that was not what fulfilled her. To Ronstadt, it was always simply about the art of singing, the joy of joining in tight harmonies. It was all about the music.

And she could be creatively restless. Ronstadt shot to fame with her 60s band the Stone Poneys. Going solo, she became the queen of country-rock, collaborating with producer John Boylan. Then she segued to stirring rock and soaring pop ballads, working with producer Peter Asher. Ronstadt also had her own musical vision.

She could sense what tunes would work for her, perhaps penned by some as yet undiscovered songwriter. Or maybe an obscure oldie. Any song she covered, Ronstadt quickly made her own, putting her soul into every rendition. As is pointed out in the film, she may not have written the songs, but she sure could, in her unique style, find the essence of them and share that with the world.

At the height of her success, Ronstadt didn't hesitate to explore other genres. She ventured into everything from New Wave to children's music. But she was never a dilettante. Every note she sang was heartfelt. She could wow TV viewers, whether she was guesting on "The Johnny Cash Show" or "The Muppet Show."

Ignoring skepticism when she announced her plans to appear in 1981's revival of the Gilbert & Sullivan's comic opera "Pirates of Penzance," opposite Kevin Kline, Ronstadt earned raves for her performance.

In another daring move, the rock star moved into the Great American Songbook, recording albums of standards with Sinatra's legendary arranger/conductor, Nelson Riddle. The beauty of her voice captured the magic of the material.

Ronstadt also baffled the industry when she decided to record an album of traditional Mexican songs, paying homage to her heritage. Her integrity could never be compromised. She had to sing the music that sparked her passion, not what she thought might be commercial. The public responded enthusiastically to her spirited new sound. The recordings were immensely successful.

Ronstadt herself provides the off-camera narration for the documentary. The film contains charming childhood photos and terrific performance excerpts. There's a cute one of her regaling an audience with "My Boyfriend's Back," when her then romantic interest, Governor Jerry Brown, had returned from the campaign trail.

There are also some insightful vintage interview clips with Ronstadt. She always spoke her mind, standing up for what she believed was right, unafraid of controversy. In an era when sexism was even more prevalent, Linda held her ground and did things her way.

There are enlightening interviews with many Ronstadt friends and collaborators, including Asher (who served as her manager) Boylan, J.D. Souther (a former significant other who wrote some great songs for her), singer-songwriter Karla Bonoff, Jackson Browne, Bonnie Raitt, David Geffen, and Ronstadt's "Trio" mates Dolly Parton and Emmylou Harris.

Also on board is Don Henley. Henley, Glen Frey, Randy Meisner and Bernie Leadon, at one point, served as Ronstadt's backing band, prior to forming The Eagles.

As Asher points out, Ronstadt had an unshakable confidence in her musical ideas, but wasn't fully confident of her own abilities. Her gifts were obvious to anyone who heard her sing, however. And they're on ample display here. Sadly, Parkinson's disease forced her into retirement. But her recordings will never stop resonating.

The film closes with a lovely moment -- the present day Ronstadt singing a Mexican song, in a hesitant, but pretty voice, with her cousin and nephew. Her physical limitations may keep her off the stage and out of the studio, but the music still burns within her.

The disc contains valuable bonus interview segments with Bonoff, Asher, Andrew Gold and guitarist Waddy Wachtel,

Viewers of the documentary (produced by James Keach and Michele Farinola) will definitely come away with an even richer respect for Ronstadt's courage and a greater appreciation for the breathtaking sound of that astonishing voice.

"GOING MY WAY"
So fondly remembered for his zany adventures with Bob Hope in the road pictures, Bing Crosby found his path to the Oscar with 1944's gentle, inspirational comedy-drama, "Going My Way." He fits the role of Father O'Malley perfectly.

According to the trailer, he portrays "the gay singing padre of the toughest parish in New York." opposite Barry Fitzgerald as "the crusty, old codger." Crosby has an opportunity to use not only his charm and mellow pipes, but acting ability. Filled with humor and poignancy, sentiment and song, the uplifting movie is now available in a Blu-ray 75th Anniversary Edition from Shout! Factory.

The film won numerous Academy Awards, including Best Picture, Best Screenplay, Best Director (for Leo McCarey) and Best Song ("Swinging on a Star"), as well as Best Actor and Supporting Actor for Crosby and Fitzgerald, respectively. Pretty impressive, especially considering that other nominees that year included "Gaslight" and "Double Indemnity."

This Shout edition looks and sounds far better than earlier DVD presentations. It also offers bonus features that will delight film buffs, especially Crosby connoisseurs. Among them are vintage Crosby shorts and clips. There's also a new audio commentary track with pop culture historian Russell Dyball, the re-release trailer, plus the Screen Guild Theater Radio adaptation of "Going My Way."

The movie itself will give you a chuckle, a teardrop, a chance to reflect on faith, plus tunes to hum. If you're looking for family entertainment, this is a great way to go.

"CAMILLE CLAUDEL"
"Camille Claudel" was nominated for two 1989 Academy Awards -- Best Foreign Language Film and Best Actress (Isabelle Adjani, who also co-produced). The French film richly deserved both honors. The new Kino Classics Blu-ray release makes it the perfect time to discover or rediscover this outstanding work.

Brilliantly directed by Bruno Nuytten (who co-wrote the thought-provoking screenplay), the film is based on the true story of the revolutionary and tragic 19th century sculptor Camille Claudel (Adjani). Even in her youth, her innovative talent was evident. She was obsessed with sculpting. When she became an apprentice of the womanizing, famed sculptor Auguste Rodin (Gérard Depardieu), she also became obsessed with him. She contributed substantially to his epic creations.

Though he was enamored of Claudel, who became his muse, the indecisive Rodin wouldn't commit to her. He refused to break with his longtime common-law wife. Claudel locked herself away, pouring every ounce of her being into her work.

She starved, living in squalor with her cats. Several factors worked against her ever enjoying commercial or critical success -- working in Rodin's shadow, indulging in what society deemed to be scandalous behavior, adhering to her own truly inventive style, and simply the fact that she was a woman. She didn't stand a chance in an art world that was conservative and misogynistic. Claudel's erratic behavior also derailed her.

Brave and defiant, Claudel couldn't even consider altering her artistic vision. She gradually suffered mental and emotional collapse.

She couldn't find comfort in the arms of her family. Her father was supportive, but was crushed when he learned of her affair with Rodin. As soon as Camille went into the arts, her cruel mother had cut her out of her life. Even Camille's beloved brother Paul, who became a renowned poet and diplomat, eventually found religion and turned against her.

Adjani, who actually bears a striking resemblance to the real Claudel, gives an unforgettable performance, going from innocent, exuberant artist to a crumbling, desolate, paranoid figure. It's at once an inspirational and heartbreaking portrayal of a troubled genius. Depardieu complements Adjani. It's one of his more subtle, nuanced turns.

Nuytten's direction also elevates the film. He captures the dangerous romantic fire that consumed Claudel and Rodin, as well as their unquenchable, compulsive passion for sculpting. The director gives us a visceral feel for the art, the tactile sensation, the sensuality. He also displays the daunting aspects of transforming a mass of marble into something beautiful that has a life of its own. In one brief scene, he shows Claudel virtually making love to a hunk of clay, attacking it with the full force of her ardor, anger and frustration.

Despite its 175 minute running time, the film remains unerringly riveting. Enhancing the moods of the movie are the score by Gabriel Yared and the cinematography of Pierre Lhomme.

It was only decades after her death that the uncompromising Claudel finally achieved recognition, respect and her just place in art history. The film "Camille Claudel" will haunt you.

The Kino Lorber release includes among its bonus features an audio commentary by film historian Samm Deighan and a booklet essay by film critic Abbey Bender, as well as the theatrical trailer.

"DEADLINE"
This compelling half-hour TV anthology series harkens back to a time when newspapers made a huge impact on our society in innumerable ways and relentless journalists heroically sought the truth. The syndicated series originally aired from 1959 to 1961 and then disappeared. The shows were discovered in a New Jersey garage and now nostalgia television buffs can enjoy all 39 episodes in a three-disc, low-priced DVD set from Film Chest.

Character actor Paul Stewart, who was usually cast in villainous roles, here serves as a suitably no-nonsense host/narrator. The subject matter and tone of the episodes vary. The diverse plots touch on such subjects as political corruption, arson, amnesia, extortion, deportation, murder, a mad bomber, rackets, shoplifting, a miscarriage of justice, a plane explosion, a missing sea captain, the aftermath of Hiroshima and a lonely little girl on Christmas Eve. Many familiar faces pop up in the series, among them Peter Falk, Simon Oakland, Diane Ladd, Robert Lansing, George Maharis and Paul Stevens.

Picture and sound quality in this Film Chest are fine. And there are some interesting bonus features, including a lengthy interview with a Broadcast Journalism professor.

"NOON WINE"
Fred Ward is an outstanding, underrated actor and his ability to go deep into the mind and soul of a character is on display in 1985's "Noon Wine." This drama was originally shown on PBS as part of the "American Playhouse" series. Based on a short novel by Katherine Anne Porter and adapted by writer/director Michael Fields ("Bright Angel"), making his television debut, this subtly spellbinding film is now available on DVD courtesy of Kino Classics.

In the hill country of Texas, in the 1890s, Royal Thompson (Ward), his wife Ellie (Lise Hilboldt) and two young sons struggle to keep afloat on their little dairy farm. One day a stranger, a stoic, mysterious Swedish immigrant, Olaf Helton (Stellan Skarsgard, "Mama Mia," "The Avengers") wanders in. His oddness and aloofness are off-putting, but the family accepts him, because his work ethic makes him invaluable. For years, life is good. Then another stranger arrives, this one hunting for Helton. And all of their lives are changed forever.

Ward is known for such major film work as "The Right Stuff," as well as cult movies like "Tremors" and "Time Rider." In this quietly intense piece, Ward has time and room to fully develop the role of Royal. He illuminates the dark hues that bubble beneath the man's proud and simple surface. As Ellie, Hilboldt projects an engaging balance of strength and fragility. Skarsgard looms ominously, recalling Max Von Sydow, early in his career.

Fields establishes an understated sense of dread. Tension simmers throughout the laconic film, even in the pastoral passages. On the Kino disc, an informative audio commentary by Fields adds to the viewer's appreciation for the film.

"GLORIFYING THE AMERICAN GIRL"
Perhaps no one more magnificently glorified the American girl in the early part of the 20th century than legendary Broadway producer Florenz Ziegfeld. This 1929 Paramount feature sought to capture the glamour of the Ziegfeld Follies. The studio negotiated a deal to use his name and his motto, "Glorifying The American Girl," as the movie's title.

For decades, available prints were, at best, of mediocre quality. That has all changed with the new Blu-ray release from Kino Classics. It utilizes a 2K master from the UCLA Film & Television Archive's photochemical 35mm restoration. The picture is sharp throughout and the sound is crisp and clean. Most excitingly, this new edition includes three musical numbers in all their original technicolor glory. Since the film's theatrical debut, it has only been seen with those portions, like the rest of the movie, in black and white.

The film stars Mary Eaton, who had actually been a Ziegfeld girl on Broadway. She is best remembered for appearing opposite The Marx Brothers in 1929's "The Coconuts." Here she plays an innocent young entertainer who ekes out a living singing songs at a sheet music sales counter. Encouraged by her domineering mother, she leaves her musician boyfriend behind and seeks fame and fortunate in Manhattan.

The pedestrian plot is irrelevant. It's the musical performances that make this film a vital historical document. Eaton gets plenty of opportunities to show off her voice and dancing abilities -- tap and ballet. The Technicolor production numbers are lavish, brimming with showgirls, dazzling costumes and spectacular sets, doing justice to a movie boasting Ziegfeld's name.

Also making this film a must-see are the three guest star appearances. Rudy Vallee, the then current pop singing idol, sings a number. The great vocalist Helen Morgan, whose tragic life story was told in both a television drama and a movie biopic, entrances with a torch number, "What Wouldn't I Do for That Man?" Her desolation and emotional voice bring to mind Edith Piaf, who was revered in a later era. A change of mood is provided by Eddie Cantor, who participates in a lengthy comedy sketch, portraying an unscrupulous tailor.

The disc presents several special features that deserve attention. There's a short subject, "Hollywood: City of Celluloid," that gives a keen sense of what that industry town was like in the early days. A Hearst Metrotone News short gives us a glimpse of Florenz Ziegfeld backstage, rehearsing dancers for a new stage production. You can rewatch the film, listening to an informative audio commentary by author Richard Barrios, an expert on movie musicals. He explains the movie's troubled path to the screen. And his commentary is loaded with wonderful trivia. Plus there's a 1934 Technicolor musical short, "La Cucaracha." The colors in that one are eye-catchingly vibrant.

Though he actually had no real involvement in the making the movie, "Glorifying The American Girl" gives us an idea of what Ziegfeld's sensational stage productions must have been like. With its exterior scenes, including one at Grand Central Station, it also chronicles its time. With the technical issues that studios had to overcome, including clunky, stationary cameras, few talkies of this vintage have as much flow or sweep as this picture. It's well worth experiencing.

"FLOWERS IN THE ATTIC"
The V.C. Andrews 1979 modern Gothic horror novel "Flowers in the Attic" stirred controversy with such themes as incest and religion. The dark coming-of-age story also transfixed youthful readers, selling 40 million copies. It had such a fanatical following, a movie adaptation stood little chance of satisfying devotees. So the 1987 film version was released to a response that was, at best, lukewarm. Over the decades, in retrospect, the movie has found favor, becoming itself a cult favorite. It's now available in a new Blu-ray edition from Arrow Video.

Written and directed by Jeffrey Bloom ("Blood Beach," "Dogpound Shuffle"), the atmospheric film relies on an excellent cast and an eerie score by Christopher Young ("Hellraiser") to establish the mood and build the tension.

When her husband dies in an accident, a woman (Victoria Tennant, 1990's "The Handmaid's Tale," "The Holcroft Covenant") must move with her children -- Chris (Jeb Stuart Adams, "Once Bitten," "Goonies," son of Nick Adams), his sister Cathy (Kristy Swanson, "Buffy the Vampire Slayer") and their two younger twin siblings -- into the forbidding family mansion where she had grown up. Her mother, from whom she had long been estranged, locks up the kids in the attic.

Louis Fletcher is suitably menacing as the children's sadistic grandmother, who views them as the repulsive products of sin. As in "One Flew Over The Cuckoo's Nest," where her Nurse Ratched ruled the roost, Fletcher makes an imposing villain.

The new Arrow release is loaded with worthwhile bonus features, including a new audio commentary by Kat Ellinger (editor-in-chief of Diabolique Magazine), new interviews with the cinematographer, composer, production designer and cast member Adams. You can also view the ending as originally shot by Bloom, as well as the climax dictated by the studio and used in the theatrical release, with a commentary by the replacement director.

With the new Blu-ray, offering 1080p high def picture and original lossless 2.0 stereo audio, the appeal of this unusual suspense film should continue to grow.

"BLOOD FROM THE MUMMY'S TOMB"
In this top-notch, terrifying Hammer production, based on a Bram Stoker story, an expedition to Egypt uncovers the tomb of evil Queen Tera. A curse follows, centering on the ring which was yanked from her severed hand. Soon the supernatural powers of the queen are wreaking horrific havoc again. The thrills and suspense are more vivid than ever, thanks to the new Blu-ray release from Scream Factory.

Interesting side note -- there was talk of a real curse that befell those involved in the making of the film. Director Seth Holt died of a heart attack before the movie's completion. And original star Peter Cushing had to drop out of the project, because his wife had become seriously ill. The cast that is present is first-rate, however, including Andrew Keir, Valerie Leon (best known from the "Carry On" comedies), James Villiers and George Coulouris.

Scream Factor enhances the "Tomb" experience with a new audio commentary track, plus new interviews.

"RED JOAN"
The versatile Judi Dench, an Academy Award winner who's consistently compelling and convincing on screen, makes this true-life tale riveting. A retired, elderly widow suddenly finds British Secret Service agents knocking on her door. Turns out she's been accused of providing the Soviets with classified information for decades. That includes details on the building of the atomic bomb. During her interrogation, Stanley, not exactly your prototypical KGB agent, flashes back on the significant episodes of her life.

Trevor Nunn's thoughtful direction, Zac Nicholson's cinematography and George Fenton's evocative score contribute to the dramatic power. Sophie Cookson turns in an outstanding performance as the young Stanley. Themes of patriotism, idealism, trust and betrayal are explored over the course of this fascinating film.

Bonus features on the Shout disc consist of a featurette and trailer.

"CIRCUS OF HORRORS"
Make no mistake about it -- plastic surgery can be dangerous, even deadly, especially when your physician is Dr. Schuler. After botching an operation, Schuler finds himself the owner of a circus. There he transforms disfigured women into beautiful stars. However, if any of them wants to leave, they wind up as victims of fatal accidents. Enter a dogged reporter and Scotland Yard.

Anton Diffring, as Schuler, is marvelously menacing in this 1960 cult classic. Donald Pleasance and Yvonne Monlaur are excellent in support.

The film, written by George Baxt and directed by Sidney Hayers ("Burn, Witch, Burn!") is deliciously disturbing. The new Blu-ray release from Scream Factory includes several special features, including "Trailers from Hell" with commentary by noted director John Landis.

CDs

MICHAEL NESMITH WITH RED RHODES - "COSMIC PARTNERS"
What a find! 7a Records has just made available a previously unreleased 1973 Michael Nesmith concert and it's pure bliss for Nezheads. The performance came during a mini-concert tour to promote his final RCA album, the great "Pretty Much Your Standard Ranch Stash."

At this intimate concert, recorded at McCabe's Guitar Shop in Santa Monica, Nesmith was backed by drummer Danny Lane, bassist Colin Cameron and, most notably, his longtime collaborator O.J. "Red" Rhodes on pedal steel. The legendary Rhodes was a true virtuoso, one of the most gifted artists to ever play that challenging instrument. He could make it sing. He could make it cry. He was the shining element that brought a special magic to Nesmith's sophisticated, inventive compositions, stirring together the country, folk, rock and lounge jazz elements. Like all of Nesmith's combos, this one is terrific, tight and inspired.

The opening number, "Tomorrow and Me," displays Nesmith's wizardry with lyrics. He's one of rock's most intriguing poets. His way of finding fresh perspectives in love songs is evident in "The Upside of Goodbye." "Grand Ennui" is Nesmith at his most irresistible -- clever and cool. Nez pays tribute to his traditional roots with "The One Rose," a song memorably recorded by Jimmie Rodgers. Nesmith's vocal tugs at the heart.

Among the other highlights are two of Nesmith's prettiest tunes -- "Some of Shelley's Blues" and "Propinquity (I've Just Begun to Care)." Several instrumentals place the spotlight on Rhodes and he does not disappoint. "Poinciana" is wistfully lovely. An instrumental version of "The Crippled Lion" is another top track. The lonesome sound of Red's pedal steel wends its way eloquently over Nez's mellow acoustic guitar tones.

The set ends with a pair of exquisite encores -- "Joanne" (Nesmith's biggest hit with his First National Band) and "Silver Moon," both showcasing his sublime vocals.

The album, from the board mix and remastered by Nesmith's accomplished son Christian, sounds fantastic. Another entertaining aspect of the recording is the inclusion of Nesmith's patter. It's witty and delectably off-beat. Especially fun is an anecdote about fleeing hordes of screaming girls during the height of Monkeemania. The band is obviously having a great time and now listeners can share in the pleasure.

"Silver Moon" ends abruptly with screeching noise, apparently the original reel-to-reel tape running out. And that closing touch of weirdness seems perfectly Nez. The concert is perfect in every way and this release stands as a testament to one of the most fruitful creative periods of one of our generation's most significant artists. 7a has made the album available on CD and limited edition vinyl picture disc.

"TIM BUCKLEY LIVE AT THE ELECTRIC THEATRE CO. CHICAGO, 1968"
Tim Buckley ranks among the most important singer-songwriters of the 60s and 70s. Constantly evolving and experimenting, he went beyond his folk roots to add jazz, psychedelic and soul flavors. His musical journey was abruptly halted when he died of a heroin overdose at age 28.

This newly released live performance, available in a two-disc CD set from Manifesto Records (the label has issued numerous other Buckley rarities over the years), will fascinate fans. Instead of presenting polished, predictable performances of expected songs, Buckley allows the audience to peek at his creative process. The album shows him improvising, exploring, developing song ideas -- melodic, lyrical, rhythmic - - going off on extended musical tangents, finding mesmerizing grooves, getting lost along the way, discovering moments of brilliance.

Backed only by his guitar, bassist and percussionist, Buckley's voice, with its amazing range, is an enthralling instrument, flowing from ethereal to primal, remarkably evocative.

It's a treat to hear a live version of Buckley's revealing "The Father Song." His "Look Out Blues" is a mostly instrumental number not featured on any other Buckley album. Other Buckley compositions here include "Sing a Song for You," "Gypsy Woman," "Danang" and the charming "Happy Time."

Buckley also offers his own arresting variations of familiar tunes like "Hi-Lili, Hi Lo," "Green Rocky Road," "Hush Little Baby," "Wayfaring Stranger" and a bluesy "Sally Go Round the Roses." He covers Johnny Cash's "Big River" and several Fred Neil tunes -- "Dolphins," "Roll on Rosie" and "Looks Like Rain."

There's a stream of consciousness sense of excitement and adventure in this musical high wire act. Buckley was in the midst of working on his third album, the well-received "Happy Sad." Maybe this night's exploration helped him to refocus on the directions he wanted to take.

Those attending this unusual, rambling concert at the small Chicago venue were part of history in the making. Now we can all share in that experience, thanks to the Manifesto release.

"HUMBLE PIE: LIFE AND TIMES OF STEVE MARRIOTT"
Steve Marriott was one of rock's most gifted -- and most tragic -- figures. Inducted into the Rock and Roll Hall of Fame as a member of Small Faces, his story is well told in this absorbing documentary. It's now available in a Blu-ray/DVD/CD set from Cleopatra Entertainment.

After the singer/songwriter/guitarist rose to fame as the frontman of Small Faces in the mid-60s, he joined another influential band, Humble Pie. He died in 1991, at age 44, in a house fire. Drugs, alcohol and a lit cigarette played parts in his horrible demise. But the British rocker's impact has lasted far beyond his passing. He was a diminutive man with a huge talent. He displayed tremendous power in his voice and guitar-playing.

The documentary includes interviews with Humble Pie's Jerry Shirley and Clem Clemson, Peter Frampton, John Waite, Black Crowe's Chris Robinson, Cheap Trick's Rick Nielsen and Bun E. Carlos, Quiet Riot's Kevin Dubrow and Simon Kirke of Bad Company and Free, among others. Also included are previously unseen photos, music video clips, as well as rare performance footage of Small Faces and Humble Pie. You'll hear such dynamic tracks as "Tin Soldier," "Itchycoo Park," "Lazy Sunday," "Natural Born Woman" and "Hot n' Nasty."

There are all sorts of special features, including full versions of songs, behind-the-scenes, additional interviews and much more.

The bonus CD is a real treat, a complete 1973 Humble Pie concert at Winterland. It's a raucous affair with Marriott's soulful rocking at its core.

JOE PESCI - "STILL SINGING"
With his return in Martin Scorsese's acclaimed "The Irishman," Joe Pesci is still acting. And this warm, new album indicates that Pesci is indeed still singing, as well. His first album was release in 1968. The new one is his first in more than 20 years. His love of music shines through on this collection. On screen, Pesci is a tough, foul-mouthed wiseguy. On record, he demonstrates his sensitive side.

Here he earnestly offers his own very unique interpretations of jazz standards. He'll take a familiar song in different directions, playing with the melody or a bit of lyric. (He drops Oprah Winfrey's name into the classic "How About You"). His expressive voice makes each number distinctive. You'll feel like you're sipping Scotch in a 50s lounge, cigarette smoke swirling through the intimate room.

Pesci can swing it up on tunes like "I Remember April." He can summon an emotional wallop, as on "If I Ever Lost You," "I'll Be Seeing You" and "The Nearness of You," which teams him with the late Jimmy Scott, to whom the album is dedicated. Pesci actually bears some vocal resemblance to the idiosyncratic Scott.

Pesci pours feeling into an exultant "Exodus," the movie theme. "Round Midnight, " "In My Solitude," and "Folks Who Live on the Hill" are also among the highlights.

Some great musicians join Pesci on this adventure, including bassist Christian McBride, pianist Kenny Barron, saxophonist Paul Winter and trumpeter Arturo Sandoval. The album was executive produced by Adam Levine (who joins Pesci on vocals for "My Cherie Amour"). The arrangements and instrumentation are lush and lovely.

For Pesci, this was obviously a labor of love.

DAVE KOZ - "GIFTS OF THE SEASON"
With his albums and holiday tours, Dave Koz has become closely associated with the season. Now he's gifting fans with a new recording of seasonal favorites. If you like your holidays smooth and jazzy, this is the perfect music for you.

Cool arrangements and Koz's warm sax tones bring a fresh joy to such cherished numbers as "It's Beginning to Look a Lot Like Christmas," "O Come All Ye Faithful," "White Christmas" and "Winter Wonderland," featuring a delightful new arrangement of a song Koz has recorded before. He also works wonders with Wham's "Last Christmas."

As per usual in his holiday offerings, Koz relishes getting a little help from his friends. He gets great guest vocals from Jonathan Butler, Chris Walker, Matt Cusson and Melissa Manchester, whose soulful rendition of "All I Want For Christmas" is among the highlights here. Koz's tenor sax merges with Michael Lington's arresting alto saxophone for a merry "Rudolph The Red-Nosed Reindeer."

Koz closes this pleasing album with a poignant beauty that he himself composed -- "Prayer for Peace." Play this album when you're ready to swing, sway and sip some spiked eggnog.

KYLE EASTWOOD - "CINEMATIC"
The exceptionally talented jazz bassist and bandleader Kyle Eastwood has frequently contributed music to the films of his father, filmmaker Clint. So making an album of movie tunes is a natural for Kyle. "Cinematic" serves up tantalizing tidbits from the scores of big screen gems old and new, familiar and more obscure. It's a thoroughly satisfying effort.

Included is the Golden Globe-nominated song from "Gran Torino" that Kyle co-wrote. It features a velvety vocal by Hugh Coltman. Also here is the lovely "Claudia's Theme," which Clint composed for "Unforgiven." A terrific selection that surprises is "The Eiger Sanction," from another Clint Eastwood movie hit, music written by the great John Williams. "Per Le Antiche Scale," from a 70s Italian drama, bears the stamp of Ennio Morricone, who famously composed the scores for Sergio Leone's "Dollars" trilogy, in which Clint starred.

Kyle pays tribute to a number of his other favorite composers, including Lalo Schifrin (music from "Bullitt"), Bernard Herrmann ("Taxi Driver Theme") and Henry Mancini's captivating "Charade." Mancini's irresistible "Pink Panther" theme is also featured here.

Even more tantalizing is Michel Legrand's gorgeous "Les Moulins de Mon Couer" (also known as "Windmills of Your Mind") with a soft and seductive vocal from Camille Bertault. Kyle stirs excitement with music from the 007 epic "Skyfall."

Throughout, the arrangements prove to be imaginative. And the playing of Kyle and his versatile, vibrant band is, as always, superb.

"JANIVA MAGNESS SINGS JOHN FOGERTY - CHANGE IN THE WEATHER"
On her new "Change in the Weather" album, Blues-rock queen Janiva Magness whips up a sonic storm with her exciting interpretations of a dozen John Fogerty tunes. It draws from the Creedence songbook, plus his solo career. Magness performed Fogerty's "Long As I Can See The Light" on her 2016, Grammy-nominated record "Love Wins Again," so she's at home with his distinctive style.

Here she effectively magnifies the blues elements of his work, lifting it out of the atmosphere out of the swamp and giving the material a different kind of grit, depth and power.

Magness gives "Have You Ever Seen The Rain" a torchy touch. In a slow and simmering "A Hundred and Ten in the Shade," Magness wrings out every ounce of emotion. A joyful, homey simplicity gives "Lookin' Out My Back Door" a countrified charm. Her dynamics make "Deja Vu (All Over Again)" a dynamite number. Magness' earthy voice adds dimension to the title track, "Change in the Weather." She rocks it up in rousing style with "Bad Moon Rising" and "Fortunate Son." Her soul-drenched "Blueboy" is another top track.

Joining her on vocals are alt-country singer-songwriter Sam Morrow on "Lodi" and Taj Mahal on "Don't You Wish It Was True."

Magness' husky, extraordinarily expressive voice, exploring Fogerty's timeless songs, makes for a memorable album.

BOOKS

THE GRIM REAPER: THE LIFE AND CAREER OF A RELUCTANT WARRIOR
By Stu Grimson [Viking]
It's a dying breed -- the NHL enforcer. But Stu Grimson thrived in a time when almost every NHL roster included at least one genuine tough guy. As in the nuclear arms race, a balance of power was essential. In his compelling new memoir, Grimson makes clear exactly what it meant to fill such a demanding role.

Grimson is no stereotypical goon. He's an intelligent, caring man who found himself cast in the part of enforcer and made the most of it. But he was reluctant at first. He had been a scorer in his youth. In the NHL, however, he had to use his powerful fists in order to hold a place in the lineup. Once he was resigned to his path, he did his best to establish an intimidating image. Even his nickname, "The Grim Reaper," helped to turn him into a foreboding figure on the ice. There were epic battles with such legendary hockey fighters as Bob Probert, Dave Brown and Marty McSorley.

Grimson goes into details about many of the most important games... and the most epic slugfests. But he also delves into the mindset and emotions that go into the often gut-wrenching task of being his club's policeman, standing up for teammates and facing the brutality and violence that could come hurtling in his direction, night after night. On each of the numerous teams for which he played, Grimson quickly earned the respect and gratitude of those for whom he stood tall.

He also wrestled with a dilemma all NHLers face at one time or another -- Should I play hurt? When you've had your bell rung and risk suffering a string of concussions, you're putting much more than your career on the line.

Many of his pounded peers ended up with brain damage. Some have died. But Grimson, who found religion, has thrived, moving into post-playing careers as a lawyer and broadcasting personality. The British Columbia native racked up more than 2,000 penalty minutes over the course of his career. But make no mistake about it. He was one of the good guys. And his story makes a great read.

IF THESE WALLS COULD TALK: STORIES FROM THE PITTSBURGH PENGUINS ICE, LOCKER ROOM AND PRESS BOX
By Phil Bourque with Josh Yohe [Triumph Books]
Phil Bourque exhibited toughness on the ice, but also skill, versatility and tremendous determination. An important contributor to the Penguins' first Stanley Cups, he always turned in an honest effort. And his unwavering, unfiltered honesty serves him well in this gripping memoir.

Bourque grabs the reader's attention with a glance back to his difficult childhood, withstanding the abuse of a violent father. Despite his dad's dangerous and dictatorial approach to Bourque's youth hockey performances, the youngster developed a powerful love of the game. Defying the odds, the undrafted Bourque worked his way up to the NHL and became a valuable piece in the Penguins' rise from ignominy to greatness.

Bourque documents in detail the impact of peerless teammate Mario Lemieux, who overcame terrible back pain to lead the club to the Cup. Bourque offers insights into the relationships among players, as well as with coaches. He takes us into the locker room, onto the ice and presents a revealing look at what it's really like to be in the National Hockey League -- the tribulations, as well as the triumphs, the physical and mental challenges, the camaraderie, the competitiveness.

Once his playing day were over, Bourque made the transition to the broadcast booth as the team's radio color commentator. In the book, he also delivers eye-openers from that perspective.

The memoir will appeal not only to Penguins devotees, but to all hockey fans, and really, any sports enthusiast.

Pens fans know and love Bourque as "the Ol' Two-Niner," (29 was his jersey number). After reading this candid book, they'll love him even more.

HORROR STORIES
By Liz Phair [Random House]
Since her game-changing 1993 debut, "Exile in Guyille," Liz Phair has been making music that is uncompromisingly truthful. Now she segues from rock artist to author, retaining that forthrightness and perceptiveness. As with her music, her memoir is anything but formulaic. Like Phair, it's an original. And it offers a wealth of insights.

Phair eschews the standard autobiography route. She doesn't merely recount the story of her life chronologically -- "I grew up listening to...," "Next I recorded..." and "Then I received an award..." She goes so much deeper, talking about things that really matter. It's as profound a memoir as you're likely to find by anyone in any walk of life.

She chooses moments from different phases in her development as a human being that have lingered in her memory. Each chapter is, in essence, a complete short story.

One true horror story involves seeing a young woman passed out in a bathroom stall, in a shocking state. She could even be dying of alcohol poisoning. But the crowd of partying girls trooping in and out ignores her, pretending to not even see her. It's a callous mistake of youth. But Phair clearly remains wracked with guilt at having done nothing to help the poor girl.

The extraordinarily empathetic Phair also talks about seeing a startling incident of child abuse, but being too far away to be able to do anything. She conveys the outrage, frustration and helplessness she feels. In other passages, she relates to the suffering of an animal or even a tree. The book contains suffering of her own, such as an incident, in young adulthood, involving a mallet and an overly rambunctious male friend that nearly costs her an eye.

She tells of a childhood adventure with her brother that includes a scary encounter with spiders. In other chapters, Phair runs into the Dandy Warhols during the New York City blackout, visits Shanghai to give a concert, watches Spike Lee's "Do the Right Thing" with two very different audiences and gives a disastrous live TV performance.

There's a chapter centering on an innocent flirtation at Trader Joe's that ultimately takes a tragic turn. Phair serves up poignancy and regret on many pages, but her sense of humor is also present, leavening the pain.

There are recollections that give us a sense of her rise to stardom and how that affected her. She delves into the nature of celebrity. But Phair also explores such universal topics as romance, marriage, giving birth, disintegrating relationships, aging and facing the death of a loved one. She manages to find a fresh, thoughtful slant on each.

She isn't afraid to reveal her frailties and flaws... and in exposing them, makes us aware of her remarkable inner strength. She describes her confrontations with sexual predators and harassers. And she articulates her determination not to be victimized anymore.

Phair references Albert Camus' "The Plague," stating, "...there's an absurdity to the universe, and you can either do nothing or continue to push to do the best you can. And the best you can do is just to do the decent thing... The good people of the world are those who, in spite of there being no payoff, do the decent thing anyway. That's what being human is." Phair is human, in the best sense of the word, an evolved and still evolving human being.

In the prologue, Phair writes, "Come walk down some dark and mysterious paths with me." If you accept the invitation, you'll be rewarded with opportunities for reflection. Phair makes us think. She makes us feel. She has learned from all of her experiences... and the reader will, too.

THE BEATLES FROM A TO ZED: AN ALPHABETICAL MYSTERY TOUR
By Peter Asher [Henry Holt and Company]
"F" is for fab and fun. "I" is for illuminating. And the new book "The Beatles From A to Zed: An Alphabetical Mystery Tour" is all of those things and so much more. Author Peter Asher is certainly well qualified to offer new insights into the Beatle phenomenon.

As half of Peter & Gordon, he enjoyed huge hits with the Paul McCartney-penned tunes, "A World Without Love," "Woman" and "Nobody I Know." He is the brother of McCartney's former girlfriend, actress Jane Asher. Paulie lived next to him in a spare bedroom at the Ashers' parents home for a couple of years. Peter Asher was the first person to hear "I Want to Hold Your Hand" after John Lennon and McCartney pounded it out on the small, upright piano in the family basement.

And when Apple Records was formed by the Fab Four, Asher served as the label's original head of A&R. He went on to become a legendary producer, playing a vital role in the rise to superstardom of both James Taylor and Linda Ronstadt.

The clever concept for the book allows Asher to present Beatle-related anecdotes and remembrances for each letter of the alphabet. These can relate to the band's classic compositions, their solo works, songs they covered, Beatle numbers other performers covered, or even people associated with The Beatles. For instance, the section on "K" begins with Klaus Voorman, a musician who did the striking artwork that graced the "Revolver" album cover.

Asher unearths fascinating details of Beatle history. He shines a spotlight on the Bach connection to McCartney's beautiful "Blackbird." When he gets to the letter "G," Asher reveals that "Got To Get You Into My Life" celebrates cannabis.

Did you know that "Helter Skelter," despite the horrific connotations it now carries, comes from the name of a kiddie carnival ride? In the section featuring the letter "H" you'll also learn the story behind "Hey Jude" becoming the first Beatle recording utilizing more than four tracks.

Under "N," one of the songs Asher explores is George Harrison's "Not Guilty." It ended up on his self-titled solo album, but initially it was aimed at inclusion in "The White Album." But the band gave up after doing 102 takes.

Zed is a challenging letter, but Asher comes up with the Harrison song "Zig Zag," from his "Cloud Nine" album. The author also imaginatively ponders what animals might reside in a Beatles "zoo."

As both a friend of the band and a brilliant record producer, Asher is able to serve up all sorts of juicy tidbits that add to the reader's understanding of The Beatles' personalities and extraordinary musical gifts. He breezily analyzes songwriting structures, arrangements and George Martin's producing contributions. And it's all highly entertaining. Asher writes of The Beatles with warmth, wit, affection, knowledge and a tremendous respect and understanding of their unique magic.

ALL YOU NEED TO KNOW ABOUT THE MUSIC BUSINESS
By Donald S. Passman [Simon & Schuster]
Planning to try to navigate the rough waters of the music industry? Don't dive in unprepared. A good start would be to immerse yourself in this information-packed book. The first edition of Donald Passman's "All You Need to Know About the Music Business" was published in 1991. The biz has certainly changed drastically since then.

Fortunately a brand new, 10th edition has just been released. It brings readers up to date on all aspects of the business, including the vast world of streaming. The machinations of the industry have never been more complex and confusing. This book breaks it all down, offering concise, clear and vital advice.

It will help you understand such topics as copyrights, the role of advisors, the impact of the Music Modernization Act and how to handle contract negotiations. Passman explains how to maximize your profits from touring, merchandising, licensing and publishing.

For novices or those already involved in the music business, this book is a welcome fount of knowledge. You won't be chum for the sharks, when you're armed with the wisdom within these pages.

'TIL WRONG FEELS RIGHT: LYRICS AND MORE
By Iggy Pop [Clarkson Potter]
It's hard to believe that it's been 50 years since Iggy Pop burst onto the scene with The Stooges. Celebrate by delving into this handsome new hardcover book. It's filled with Iggy's edgy lyrics, striking photos, artwork and comments from Iggy admirers like Jack White and Blondie's Chris Stein and Debbie Harry.

The book is not only a chronicle of Iggy's evolving songwriting, but of the society to which he reacts. It goes through the decades, from 1969 classics like "I Wanna Be Your Dog" to 2019's "The Dawn." His lyrics, like his performances, stand, as always, intense, raw and painfully honest. This is evident in the harrowing love expressed in 1977's "Tonight," the socio/political power of 1993's "Wild America" or 1980's "I'm a Conservative," and the shockingly incisive lyrics to the 2003 song "Little Electric Chair."

His artistic life is all here, from wild man screaming and gyrating, the king of contortions and excess, to indomitable rock icon. The book is the perfect gift for any Iggy aficionado. As Iggy sang half a century ago, "I say we will have a real cool time." He has always given us that. And this real cool book is the perfect souvenir of all that he has accomplished.

In 1973, Iggy screeched, "Gimme Danger, little stranger... And I feel with you at ease." He remains one of the most unrelentingly dangerous artists around.

"ALTAMONT: THE ROLLING STONES, THE HELLS ANGELS, AND THE INSIDE STORY OF ROCK'S DARKEST DAY"
By Joel Selvin [Dey St.]
This month marks the 50th anniversary of the infamous Altamont concert. The event put the final nail in the coffin of the Flower Power era. The most revealing and perceptive study of exactly what happened when the Stones gave a free concert at that California speedway, using bikers as security, can be found in the fascinating book penned by the Bay Area's award-winning journalist Joel Selvin.

Selvin's research, including key interviews with a wide variety of participants, results in a deeper understanding of how the tragic drama unfolded. Instead of delivering the Woodstock Vibe, Altamont devolved into ugliness and violence. Selvin makes clear that the "Gimme Shelter" concert film glossed over much of what caused the chaos and disaster, letting the Stones off lightly.

The concert was not the altruistic, joyous sort of free San Francisco music event bands like Grateful Dead were offering at the time. With Altamont, the Stones were cleverly self-serving. The reasons the concert turned into a debacle are myriad and complex. But Selvin diligently delves into all the relevant occurrences that went on before, during and after Altamont, unraveling this puzzling piece of rock history.